Özet:

by Hz. by Mevlânâ. 1273) and his works have been deeply inserted into the Ottoman society, and this influence has also reflected in the classical Turkish literature, and many divan poets have decorated their works with the elements of Mevlevîlîlîlîlîlîlî. In addition to this, the texts for Mevlânâ were written, and in these poems the close surroundings of Mevlânâ and family members were also mentioned. The poet, the mother of Mevlânâ’s Muminah Hatun, remembered and praised Mevlânâ’s as they reminded, and expressed their honour to Mâder-i Mevlânâ with poetry. He is the wicked, and the wicked, and the wicked. 1971) wrote a continent for Mumin Hatun, the last period of the Mevlevî sheh and poet Ahmed Remzi Akyürek (e.g. In 1944, a five-year-old boy who passed in a daily Karaman Journey presented the Mâder-i Mevlânâ's spiritual presence during his visit to Karaman Mevlevîhanesi. If you want to give a gift, you will have to give a gift with a “berg-i” vegetable. The number 9 and 18 were presented in the Holy Spirit. 18 And who is not the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the It belongs to a sheriff. He is grateful for the grace of God, and he is grateful for the grace of God, and he is grateful for the grace. He first added 4 bits to the end of this box, then he himself wrote 19 bits in a separate box with a bits. Today, this is in the city of Karaman Mevlevîhân. Thus, after the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, the fourth edition of the book, and the fourth edition of the book. In all the poems examined, the mother of Mevlânâ was praised with various qualities, the motherhood was praised and religious elements, and he was praised for support, help, and mercy.

Anahtar Kelimeler:

Özet:

Hz. Mevlânâ (d. 1273) and his works deeply influenced the Ottoman society. This effect was reflected in classical Turkish literature and many Dîvân poets decorated their works with Mevlevî elements whether they were Mevlevî or not. Eulogies were written for Mevlânâ and the close circle of Mevlânâ. His family members were also mentioned in those poems. Mevlevî poets commemorated and praised Mümine Hatun, the mother of Mevlânâ, just like they commemorated him and they expressed their respect to Mâder-i Mevlânâ in poetry. Ahmet Midhat Beytur (d. 1971), a Mevlevî sheikh and scholar, wrote a stanza for Mümine Hatun. Ahmed Remzi Akyürek (d. 1944), one of the last-period Mevlevî sheikhs and poets, presented a five-couplet tegazzul from A Day-Long Karaman Travel Book to the special presence of Mâder-i Mevlânâ during his visit to the Karaman Mevlevî Lodge. According to Mevlevî manners, it is necessary to give a gift, albeit with a “berg-i sebz”. Numbers 9 and 18 considered sacred in Mevlevîyeh were also valid when giving a present. An 18-couplet euology written for Mâder-i Mevlânâ belongs to a Mevlevî poet, who has a pseudonym as Gâlib (d. ?), who couldn’t be identified. Calligrapher Şükrü from Crete (d. ?), who saw and admired the eulogy of Gâlib that was understood to be a plate with talik calligraphy, first added 4 couplets with naskh calligraphy to the end of this eulogy, and then wrote himself a separate 19-couplet eulogy. This plate is now in the Karaman Mevlevî Lodge. After limited information in the sources about Mâder-i Mevlânâ was given in the current study, four poems written for Mümine Hatun, the mother of Mevlânâ, were brought together. In all of the poems reviewed, it was seen that the mother of Mevlânâ was praised with various attributes, and she was asked for help, compassion and mercy with the qualities of motherhood and religious elements.