Özet:

Translation, which is an important information transfer activity, which facilitates communication between societies and individuals who do not speak the same language, is a diverse, complex and interdisciplinary phenomenon.  Translation is also an event where two different languages and cultures intersect, and it takes the role of a bridge between two languages and cultures. It is not possible to think differently of language and culture. From here, by moving from the source language to the target language, cultural elements come to us as the most important fact. Therefore, in each translation event between two different languages, a cultural translation is also performed. The most intensive translation field of cultural translation is literary translation. The task of the translator is to find the most appropriate responses to the relevant cultural elements in the target language and to keep the author's style and to be able to transfer the literary work's word knowledge, language knowledge rules and cultural objects in a way that the target language reader can understand. Therefore, the translator must know both cultures well. To this, the translator consciously or unconsciously uses translation theories. Scientists have revealed different theories about translation. These theories keep light on the translation process. In this study, cultural objects in the German translation "Die Feuerprobe der Türken" of the literary work "Turkey's Fire Imtihanı", which was painted by the Turkish writer Halide Edip Adıvar, were comparatively studied in the framework of Gideon Toury's illustrative translation research.  In the study, in the context of the translation of the cultural objects in which we discussed the literary work, under three titles in the form of "translation of religious objects", "translation of speech and speech" and "translation of special names", the source text has been explained with examples of how the cultural objects of the source text are translated into the target text.

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