Özet:

Intertext means that a text is related to other texts and that these relationships are created according to different methods. The concept of intertextism, which psychanalist Julia Kristeva revealed in the vocal theory of Mikhail Bahtin, is based on the view that no text was created from zero, that a text carries traces from the texts that came before it, that each text directly or indirectly affects one another from different angles, and therefore there is no pure text. This view adopted by literary theorists forms the theoretical framework of intertext relationships. In this study, Recaizade Mahmut Ekrem’s novel “Car Love” will be studied in the context of intertext relationships. The purpose of this study is to identify what types of methods are used in the novel and to reveal how they are established in the light of intertext relationships. It is possible to say in the car love novel that intertext relationships are reflected from different points of view. Such relationships, on the one hand, arise with posts made with the mention of the authors and works names, and on the other hand, with quotes created with the copy of several phrases. However, when car love is studied in the context of intertext relationships, it is seen that the method of cleaning imitates the language and style characteristics of another text.

Anahtar Kelimeler:

Özet:

Intertextuality means that a text is related to other texts and these relationships are created based on different methods. Psychoanalyst Julia Kristeva believes that no text is created from scratch and also a text carries traces from preceding texts, each text directly or indirectly affects each other from different perspectives, and therefore there is no pure text in her concept of intertextuality which she put forward and based on Mihail Bahtin's theory of speech. This view, adopted by literary theorists, forms the theoretical framework of intertextual relations. In this study, Araba sevdası, written by Recaizade Mahmut Ekrem, will be examined in terms of intertexual studies. The aims of this study is to put forward which techniques were used in this novel and how they were fictionalized in the perspective of intertextual relations. It is possible to say that intertextual relations have been shown in Araba Sevdası. These kinds of relationships emerge with references to the names of writers and works and are also expressed with quotations created by copying a few sentences exactly. Besides these references, when the novel is examined in the context of intertextual relations it is clear that the pastiche technique was used in order to copy some style of other works.