Özet:

Yahya Kemal Beyatlı, one of the important symbols of Turkish literature, has greatly collected his poems in his books called His own heaven and the wind of the Old Poetry. In these poems the concepts and positions such as life, old age, death, eternity, desire, spirit, music, architecture, Istanbul, Turkey, Ottoman history, conquest and martyrdom are highlighted. In his poems, his foundations are placed in the years in which his childhood passed in the Eclipse, a civilization painting that is worn with experience and attention in the ancient districts and places of Istanbul. This painting was fed by the history and patriotic trace he received from his French thinkers, and has also gained an aesthetic appearance with his own architecture, music and poetic pleasure. So Yahya Kemal forms a significant front of poetry with a national and romantic sense of poetry. In the poems contained in the books we mentioned the name of the poet above, especially in the poems such as Akıncı and Mohaç Türküsü, in the eternal series under the title of 26 August 1922, high spiritual value such as witness, witness and witness were processed. In addition to these poems, a holiday morning in Süleymaniye, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul, the Visitor of Istanbul and the Visitor of Istanbul. In this study, we will try to figure out how the poet’s poet’s witness theme was formed in the poem universe by moving from the poems we mentioned the name above, before we will have inspections on the formation of national romanticism in Yahya Kemal.

Anahtar Kelimeler:

Özet:

Yahya Kemal Beyatlı, one of the important figures of Turkish literature, mostly collected his poems in his books named Our Own Sky Dome and the Wind of the Old Poetry. In these poems, concepts and subjects such as life, old age, death, eternity, longing, spirit, music, architecture, Istanbul, Turkishness, Ottoman history, conquest and martyrdom come to the fore. In his poems, the foundations of which were laid in the years of his childhood in Skopje, a civilization imagination formed in the old districts and places of Istanbul with mature experience and attention is seen. This vision was nourished by the understanding of history and homeland he received from his French thinkers, and gained an aesthetic appearance with his taste in architecture, music and poetry. Therefore, an important aspect of Yahya Kemal's poetry is the poems he wrote with a national and romantic sensation. In the poems of the poet whose name we have mentioned above, especially in epic-poems such as Akıncı and Mohaç folk songs, and in his eternal lines under the title of 26 August 1922, concepts of high spiritual value such as martyrdom, martyrdom and martyrdom are mentioned. In addition to these poems, Süleymaniye’de Bir Bayram Sabahı, İstanbul’un Fethini Gören Üsküdar, Koca Mustafapaşa, O Rüzgâr, Bir Tepeden, Ok, 1918, Akıncı ve Mohaç Türküsü, Kaybolan Şehir, İstanbul’u Fetheden Yeniçeriye Gazel, İstanbul’un Fethini Gören Üsküdar, Mihriyâr, Rubai ve Gedik Ahmet Paşa’ya Gazel ve Selimnâme the concept of martyrdom with the sense of heroism is also mentioned in the poems in Gazel and Selimnâme. In this study, we will try to reveal how the poet formed the theme of martyrdom in the poetry universe based on the poems we have mentioned above, and we will first examine the formation of national romanticism in Yahya Kemal.