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Niğde İli destan-anlatı geleneği 19. yüzyılın başlarından itibaren takip edilebilmektedir. Bu tür destanlar toplumun ortak acı ve iz bırakan olayları üzerine şekillendirilmiştir. Destanlar, dinleyenlerin ilgisini arttırmak için, her daim kalıp-ezgiler veya uzun hava tipindeki müzikler eşliğinde icra edilmiştir. Destan okuyan âşıklar, bazen bağlamaları bazense sadece sesleriyle bu geleneği icra etmişlerdir. Bu araştırma kapsamında destan-anlatı türünün Anadolu topraklarındaki geleneksel yapısı üzerinde durulmasına müteakip, destanlardaki müzikal unsurlar sergilenmiştir. Niğde İlindeki destan geleneğinin geçmişi ve yaşayan halinin tespit edilmesinin sonrasında, âşıklardan derlenen destanların müzikal özellikleri incelenmiştir. Sonuç olarak, destan okuma geleneğin 1980’li yıllara kadar yaşadığı, günümüzde kaybolduğu tespit edilmiştir. Destan satmak için âşık ve şairlerin şehirde belirli yerlerde dolaştıkları, destan metinlerini ise basılı olarak ellerinde gezdirdikleri sonucuna varılmıştır. Geçmiş dönemlerde destan okuyuculuğunun bir meslek halini aldığı ve insanların büyük ilgisini çektiği görülmüştür. Derlenen destanlardan birinin uzun hava karakterinde, diğerinin ise kalıp ezgi olarak icra edildiği tespit edilmiş, destan sözlerinin edâsına göre, kalıp-ezgi seçildiği sonucuna varılmıştır.
The traditions of the Nizhny Novgorod can be followed from the beginning of the 19th century. This kind of disaster has been formed on the common suffering and traces of the society. Distances are performed, to increase the interest of listeners, always accompanied by patterns or long-air music. The lovers who read Destan, sometimes their bonds, sometimes only performed this tradition with their voices. In the framework of this research, the focus on the traditional structure of the casting species in the Anatolian territory, musical elements in the casting were displayed. After the history of the casting tradition and the state of living were identified, the musical characteristics of the casting collected from lovers were studied. As a result, it has been found that the tradition of narrow reading has lived until the 1980s, and is now missing. It is the conclusion that the lovers and poets travel in certain places in the city to sell Destan, and the text of Destan is printed in their hands. In the past, it has been seen that the story of reading has become a profession and has attracted great interest to people. One of the shaped castings is in the long air character, the other is found to be performed as a shaped, according to the words of the shaped castings, the conclusion is that the shaped castings are chosen.
Nigde Province epic-narrative tradition can be traced from the early 19th century. Epics have been shaped by the common suffering and tragic events of the society. Epics have been performed in order to increase the interest of the listeners, accompanied by pattern-melodies or rhythm-free melodies. The Ashıq (Turkish Epic Teller) who tell the epic sometimes performed this tradition with their instruments (baglama, like lute) and sometimes with their voices. In the context of this research, after describing the traditional structure of the epic-narrative types on the Anatolia, the musical elements in the epics were exhibited. After the determination of the past and present situation of the epic tradition in Niğde Province, the musical characteristics of the epics compiled from the ashıqs are examined. As a result, it has been found that the tradition of epic-narrative has lived up to the 1980s and has now disappeared. In order to tell the epic, ashıqs and poets traveled in certain places in the city and they sold printed epic texts. In the past, it was seen that epic telling was a profession and attracted great attention of people. It was determined that one of the epics that was compiled in a rhythm-free melody and the other was performed as a pattern-melody.
Field : Eğitim Bilimleri
Journal Type : Ulusal
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