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Çarlık Rusya’sında gerçekleşen 1905-1907 burjuvazi demokratik inkılabından bekledikleri hak ve özgürlük ortamını bulamayan Müslüman Türk topluklarından bir kısmı Pantürkçülük yapıyorlar gerekçesiyle baskı altına alınmış, yurt dışına kaçmaya mecbur bırakılmıştır. Memleketini terk etmeyen aydın fikir adamları ise matbuat faaliyetine yönelmiştir. Devlet Duma’sının gündemini belirleyen meselelerden başlayıp tarih, felsefe, edebiyat, sanat ve günlük hayatın farklı yönlerini ele alan pek çok meseleye kadar her alanda milletin geleceğini iyileştirme ve aydınlatma yollarını aramışlardır. Bu kapsamda matbuatta, hayatın anlamsızlığını doğa olayları yardımı ile ortaya koyan Derdmend’in şiirleri, Tatarların düşünce hayatında ayrı bir yer almıştır. Bu araştırma da Derdmend’in şiirlerindeki umutsuzluk, hayal kırıklığı, bu dünyaya yabancılık, yalnızlık motifleri temelinde varoluşçuluğun izleri ele alınacaktır.
Some of the Muslim Turkish communities, which were unable to find the right and freedom environment they expected from the 1905-1907 bourgeois democratic incrust in the Tsarish Russia, were under pressure because they were doing Pantürkçülük, and forced to flee abroad. Those who did not leave their homeland, did not leave their homeland, but did not leave their homeland. From the issues that determine the agenda of the State Duma to the many issues that address the different aspects of history, philosophy, literature, art and everyday life, they have sought ways to improve and illuminate the future of the nation in all areas. In this context, the poems of Derdmend, which reveal the meaninglessness of life with the help of natural events, have taken a separate place in the thought life of the Tatar. This study will also address the traces of existence based on the poems of Derdmend's disappointment, disappointment, alienation to this world, solitude.
A number of non-Christian Muslims of Turkish origin who could not get what they had expected from the 1905 bourgeois-democratic revolution — taking place in Tsarism Russia — fled abroad because they would not accept pursuing a life under the pressure of reaction that had sought the traces of Pan-Turkism. Intellectual thinkers who did not leave their fatherland set to manifest themselves in the field of printing, in different epochs of literature and art. In these conditions, Derdmend, also known as Därdemänd, who reflected the spirit of existentialism that was somewhat alien to the Tatar Muslim neighborhood, was a phenomenon with his poetry in which he revealed some shaken and exhausted, unhappy and unsettled existence of living spaces and ideals of people living on the planet, in the world. In this article, Derdmend’s motives of shaken despair, alienation from this world, and loneliness from his poems are reviewed.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
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