Views
42
Downloands
18
Güncel sanat ortamının en temel problemlerinden biri, gerçeğin yeniden üretimi üzerinden ortaya çıkan özgünlük tartışmalarıdır. Temel anlamıyla orijinallikle eş anlama gelen özgünlük, modernizmin merkezi kavramlarından biridir. Özgün olduğunu iddia etmek tamamen biricik ve benzersiz olmaya karşılık gelirken, karşılıklı etkileşime dayanan sanat gibi hassas bir mecrada üretim söz konusu olduğunda benzeşimi olmayan bir imge yaratmak da oldukça zor bir meseledir. Sanatta özgünlük kavramı patolojik bir hale dönüşürken, buna aynı platformda yer alan sanatçıların birbirlerinin ürettiği değeri görmezden gelen, hatta giderek hiçe sayan bir üslupla temellük etme süreci eşlik etmektedir. Özellikle genç sanatçılar güncel sanat piyasasına sızmanın, sanat yapıtı satmanın, kariyer yükselişi yakalamanın ve sanatı kontrol eden mekanizmaların ilgisini çekmenin kolay bir yolu olarak başvurdukları yöntemlerden biri haline gelen intihal, rant odaklı politikalar ve her şeyi alınır satılır bir ürün olarak gören sermayenin doğurduğu bir “yırtma” zihniyetini doğurarak sanatın ontolojik yapısını kökünden sarsmaktadır. Günlük kâr amaçlı üretimden sıyrılarak sanat tarihinde yer edinmek, bireysel hırsların yerine kolektif hareketlere dâhil olmak, yeni ütopyalar üretmek, toplumsal farkındalık yaratmak, özgün arayışların peşinden giderek sanat literatürüne katkıda bulunmak, bu hastalıklı alışkanlığın sanat ortamında terk edilebilmesi için ihtiyaç duyulan dinamiklerdir. Sanat platformunda rüştünü ispat etmenin tek kıstasının mevcut düzenin estetik bilincine uygun işler üretmek, küratöryel sergilere, yarışmalara, müzelere ya da koleksiyona girmek olmadığını kavrayabilen bir sanatçı jenerasyonu yaratıldığı takdirde koşullu üretim süreci terk edilebilir, yenilikçi, özgün ve devrimci bir sanat ortamı inşa edilebilir.
One of the most fundamental problems of today’s art environment is the originality discussions arising through the re-production of the truth. The originality, which is basically equal to originality, is one of the central concepts of modernism. While claiming that it is original represents being completely unique and unique, it is also quite difficult to create an image that is not similar when it comes to production in a sensitive mechanism, such as art based on mutual interaction. While the concept of originality in art becomes pathological, it is accompanied by the process of fundamentating the artists on the same platform with a style that ignores the value produced by each other, and even increasingly deprives. In particular, young artists become one of the ways they use as a easy way to penetrate the current art market, to sell artwork, to catch the career rise and to attract the interest of the art-controlling mechanisms, self-rental, rental-oriented policies and a "breaking" mentality generated by the capital that sees everything as a purchased and sold product, throwing out the ontological structure of art from the root. Separating from daily profit production, getting a place in the art history, being involved in collective movements instead of individual aspirations, producing new utopies, creating social awareness, increasingly pursuing original aspirations, contributing to art literature, are the dynamics needed to abandon this sick habit in the art environment. If the only step of proofing the rush on the art platform is to create an artistic generation that can realize that it is not to produce works in accordance with the aesthetic consciousness of the present order, to enter curatorial exhibitions, competitions, museums or collections, the conditional production process can be abandoned, an innovative, original and revolutionary art environment can be built.
One of the most fundamental problems of the contemporary art scene is the discussion of authenticity through the reproduction of reality. The originality, which corresponds to originality in its basic meaning, is one of the central concepts of modernism. While claiming to be original corresponds to being unique and unique, it is also very difficult to create an image that is not analogous when it comes to production in a sensitive medium such as art based on interaction. While the concept of originality in art turns into a pathological state, it is accompanied by the question of the fact that the artists on the same platform are ignoring the value produced by each other, and in a way that is increasingly ignored. A ın tear-off sanat of plagiarism, rent-oriented policies, and capital that sees everything as a product sold, especially in the form of young artists making it an easy way to catch up with the contemporary art market, to sell artwork, to gain career growth and to attract the attention of mechanisms that control art. Arak has been shaking the ontological structure of art by giving birth to its mentality. To take a place in the history of art, to take part in collective movements instead of individual ambitions, to create new utopias, to create social awareness, to follow the original quests and to contribute to the art literature, and to abandon this diseased habit in the art environment. When an artist's generation is created, the conditional production process can be abandoned, an innovative, original and revolutionary art environment can be constructed if the only criterion of proving the age in the art platform is to produce works that are suitable for the aesthetic consciousness of the current order, to comprehend that it is not to enter curatorial exhibitions, competitions, museums or collection.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
Article Detail 
Similar Articles
Download PDF
Journal Information
Listen Paper
Cite
Print This Page
Share
Mendeley
