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20. yüzyıl başlarında ortaya çıkan Georges Braque ve Pablo Picasso’nun öncülüğünü yaptığı Kübizm akımıyla birlikte Kolaj tekniği ortaya çıkmıştır. Kolaj tekniği elde bulunan her tür malzemeyi yüzey üzerine yapıştırmayla elde edilir. Asamblaj tekniği ise Marcel Duchamp ve Kurt Schiwitters gibi sanatçıların eserlerinde ortaya çıkan, bir teknik olarak birçok malzemenin bir arada kullanıldığı sanat eserini tanımlamaktadır. Çağdaş sanat akımları ve bunun beraberinde gelen teknikler birçok değişim ve gelişime uğrayarak dünya sanatında yer edinmiştir. Bu gelişim süreci içerisinde Bienaller çağdaş sanatın sergileme geleneği olarak ortaya çıkmıştır. Bienallerin gelişim sürecine bakıldığında geçmişten bugüne kadar sayıları hızla artmış ve birtakım değişimler yaşamıştır. Kolaj ve asamblaj teknikleri, resim sanatının kapsamını genişleterek, sadece resim değil, mimari ve heykel çalışmaları içerisinde de ele alınabilecek yeni sorunsallara konu olmaya devam etmektedir. Resim sanatında artık malzemenin altında yatan kavramın önemli olduğu, sanata düşüncenin yön verdiği görülmüş, malzemenin yönlendirdiği el becerisine dayalı sanat yapmak yerine düşüncenin sanatı yönlendirdiği hatta tuval resminde bile düşünsel alt yapı arandığı bir dönem yaşanmaktadır. Bu araştırmada 14. ve 15. İstanbul bienallerindeki kolaj ve asamblaj çalışan sanatçıların eserleri incelenmiş, analizleri yapılmıştır.
In the early 20th century, the collage technique emerged along with the Kubism stream led by Georges Braque and Pablo Picasso. Every type of material obtained by collage technique is obtained by attachment to the surface. The assembly technique defines the artwork that appears in the works of artists such as Marcel Duchamp and Kurt Schiwitters, which is a technique where many materials are used together. Contemporary art flows and the accompanying techniques have taken place in the world of art with many changes and developments. During this development process, the Biennales appeared as a tradition of exhibition of contemporary art. With regard to the development process of the Biennales, the numbers have grown rapidly from the past to the present and have experienced a number of changes. Collage and assembly techniques continue to expand the scope of painting and continue to be the subject of new issues that can be addressed not only in painting, but also in architectural and statue works. In the painting art, there is a period in which the concept under the material is now important, the art is seen to give the direction of thought, rather than the art based on the hands-on skills that the material is directed, the art is directed by thought, and even in the toval painting the thought substructure is sought. In the 14th and 15th studies. The works of artists working in collage and assembly in the Istanbul Biennales have been studied, analysed.
Along with the Cubism art movement led by Georges Braque and Pablo Picasso, which emerged at the beginning of the 20th century, Collage technique emerged. The collage technique is obtained by pasting all kinds of materials on the surface. Assemblage technique, on the other hand, was emerged in the works of artists such as Marcel Duchamp and Kurt Schiwitters, and as the art term, it refers to a three-dimensional work in which many materials are brought together. Contemporary art movements and the accompanying techniques have gained a place in world art by being undergone many changes and developments. During this development process, biennials emerged as a tradition of exhibiting contemporary art. Looking at the development process of biennials, their numbers have increased rapidly and undergone some changes from the past to the present. Collage and assemblage techniques continue to be the subject of new problems that can be handled not only in painting but also in architectural and sculpture studies by expanding the scope of painting. In the art of painting, it is seen that the concept underlying the material is important and the thought is guided by the art, and instead of making art based on the skill of the hand, the idea directs the art, even in the canvas painting, it is experienced in a period when the intellectual infrastructure is sought. In this research, the works of artists working in collage and assemblage in 14th and 15th Istanbul biennials were examined and their analyzes were made.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
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