Abstract:

It is known that the classical Turkish poetry or Divan poetry with its common name has a rich call world. It is possible to find a reflection or distortion of many aspects of social issues in the classical Turkish poetry. In recent years, the studies in this field have proved this. It is also unlikely that the divan poet who belongs to a Muslim society, the religious values of the society, the arms and the idols, shortly, the culture, remain big. Many aspects related to the câmi and câmi, which have an important place in the religious life of Muslims (câmi, câmi cemaati, hutbe, minber, mihrap, etc.) have been either personally or indirectly included in our classical poetry. Specifically in Istanbul, a historic cami, the name of Gül Câmi has become a source of inspiration for the poets and has been the subject of the poet with various comparisons and dreams. According to our findings, the number of poets who use these comparisons and dreams is close to twenty. In this book, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, the people who read the Qur’an, and the people who read the Qur’an. In this article, we will focus on the examples of these facts that are processed in relation to the Cammi, including the Rose Câmi.

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