Özet:

The Lale Revolution began with the Sultan II. During the period of Abdülhamid continued without interruption, European style renewal efforts in real sense gave their products in his period. This interaction manifests itself in elements such as decoration and decoration rather than changing the structural characteristics of traditional architecture. At the end of the 19th century in the Ottoman architecture appeared a selective (carma, eclectic) conception of the statue. Neo-Barock, Neo-Classic, Neo-Greek, Neo-Gothic, and Neo-Renaissance, the Western art effects, along with the Ottoman-Turkish effects, were freely used together on a single building. The forms of architectural decoration of the Western style have been applied in such a religious structure, in a rich way as in the worldwide structures. The locations of Istanbul Ertuğrul Tekke Camii are rich in terms of the pen work decoration program and reflect the eclectic pleasure and fashion of the period. These decorations give a lot of palace air to the Ertuğrul Tekkesi. 19th. This structure, which belongs to the last period of the Ottoman Architecture of the Century, is a cultural heritage that documented the socio-cultural structure and architectural characteristics of the period. The Camii, II. According to the Pan-Islamist policy of Abdülhamid, it is a building built in the capital. Keywords: 2nd Abdelhamid, Ertuğrul, Cami, Ertuğrul Tekke Camii, Tarikat Buildings. Abstract Westernization activities started with The Tulip Period continued during the period of Sultan II. Abdülhamid without interruption, European-style renovation activities gave its products in its real sense during his period. This interaction manifests itself in elements such as decoration and ornamentation which are far from changing the structural characteristics of traditional architecture. Towards the end of the nineteenth century, it appears that an eclectic (mixed, eclectic) conception of style emerged in Ottoman architecture. Western artistic influences such as Neo-Greek, Neo-Gothic and Neo-Renaissance together with Neo-Baroque, Neo-Classical styles were freely used together on a single building by integrating Ottoman-Turkish influences. The architectural ornamental forms of Western style have been applied in such a religious structure as rich as in landly structures. The places especially included in the Sultan's mahfil of Istanbul Ertuğrul Tekke Mosque are rich in terms of hand-carved decorating programs which reflect the eclectic taste and fashion of the period. These decorations make the castle like a palace. This building which belonged to the late period of the 19th century Ottoman architecture is a cultural heritage documenting the socio-cultural and architectural characteristics of this period. Ertuğrul Tekke Mosque in accordance with Abdulhamid's Pan-Islamist policy is a structure central of the capital. Keywords: Abdulhamid II, Ertugrul, Mosque, Ertugrul Tekke Mosque, Religious Order Structures.