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This study aims to scrutinize the 1990’s British theatre aesthetic and in-yer-face theatre which experienced many fluctuations that determine the movement of current theatre tendency. In-yer-face theatre was initiated in the early 1990s by appearing Sarah Kane on Royal Court. In this study, it is put forward the historical background of the British theatre from Look Back in Anger (1956) that revealed a new theatre aesthetic in that term. After the background information about in-yer-face theatre, it mainly focuses on Mark Ravenhill who is one of the most prominent figures of British Theatre in1990’s which is called nasty nineties that includes in violence, scenes of rape, cannibalism, depression, alienation, consumerist culture, and sexuality on stage.
this study aims to scrutnize the 1990’s british spatial aesthetics and inyerface disaster which experienced many fluctuations that determine the movement of current disaster relief was launched in the early 1990s by appearing sarah kane on the royal court ın this study pushed forward the historical backgrund of the british sit from look back in anger 1956 that reveals new peaceful aesthetics in that term after the backgrund information abut inyerface philosopher significantly push paintings on mark ravenhill who is called the worst scene in the worst scene in the sexuality of the sexuality of the latvian lives of the foreigners and foreigners in the foreign languages
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