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Abstract enFrom the beginning, cinema with its narrative structure employs a classical, reflexive and Aristotelian language. It is observed that cinema which has developed its stylistic potentials gradually tends towards alternative approaches outside of the conventional Hollywood films. Especially, aside from the classical storylines deemed to be commercial or popular, the concept of counter cinema that unfolded in 1960’s takes an important place in film history. The aim of this paper is to explore the aspects of this alternative and/or counter narrative form and to examine whether Breathless consists of such aspects. In this regard, using structural analysis, the film is examined in terms of the Brechtian notions of catharsis, alienation and acting
Field : Eğitim Bilimleri
Journal Type : Uluslararası
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