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Kadim zamanlarda kullanılan avlanma usulleri, edebî eserlerde sanat gayesiyle yer bulmuştur. Özellikle alıcı bir kuş olarak bilinen şahbazla yapılan avlar ve bu av sahnelerindeki usuller, şairlerin şiirlerinde kullandıkları albenisi yüksek birer sanat malzemesi haline gelmiştir. Bu nedenle şairler; “şahbaz ile kuş avlama usulü”nün klasik edebiyattaki yansımasını genellikle âşık-sevgili müşterekinde işlemişlerdir. Dolayısıyla aşk sergüzeşti içerisinde sevgili; silahlarla donanmış, pençeleri ve kan dökücü unsurları olan bir silahşör gibi tasavvur edilmiştir. Aynı zamanda sevgili, bir saraya hâkim, kolundaki şahbazla üstünlük alametleri olan ve kullarına iltifat sunma tasarrufunu da elinde tutan yüce bir sultandır. Bu tasavvur sebebiyle alan, kapan ve yaralayan özellikleriyle şahbaz; sevgilinin saçı, gözü, bakışı gibi birçok unsuruna benzetilmiştir. Geleneğin âşığa çizdiği aciz ruh hali de bahsedilen bu sultan/sevgili karşısındaki teslimiyetin bir ifadesi olarak kurgulanmıştır. Bu kurgu, “âşığın gönül kuşunun avlanması” ekseninde bir terkibe uğramıştır. Nihai olarak bu çalışmada, temsili olarak “kendisi veya güzellik unsurları şahbaza benzetilen sevgiliyle şahbaza av olan âşığın gönlü” hayali üzerine bir değerlendirme yapılmıştır.
The hunting methods that used in ancient times took place in literary works for the purpose of art. Especially hunting that is made with the shahbaz, known as a catching bird, and the methods in these hunting scenes have become an art material which poets used in their poetry with its high attraction. For this reason, poets are treated "The reflection of the method of bird hunting with the shahbaz in classical literature generally in love-dear joint. Therefore, beloved, within love escapade, was envision such as musketeer that equipped with weapons and that is claws and bloodshed elements. At the same time, the beloved is a supreme sultan who commands a palace, who is signs of superiority with the shahbaz on his arm, and withholders savings to offer a compliment to his servants. Thereby this imagination, shahbaz with features that take, the trapper and wounding, is similar to many elements such as lover's hair, eyes, look. The mood which tradition drawn to lover, is designed as an expression of the surrender this sultan / lover. This fiction has been subjected to a composition on the axis of hunting the birds of prey and representing the lover. Finally in this study, an evaluation is made on imagination with beloved who is likened herself or beautiful elements to shahbaz, the heart of lover that is prey to shahbaz.
The hunting methods that used in ancient times took place in literary works for the purpose of art. Especially hunting that is make with the shahbaz, known as a catching bird, and the methods in these hunting scenes have become an art material which poets used in their poetry with its high attraction. For this reason, poets are treated “The reflection of the method of bird hunting with the shahbaz in classical literature generally in love-dear joint. Therefore, beloved, within love escapade, was envision such as musketeer that equipped with weapons and that is claws and bloodshed elements. At the same time, the beloved is a supreme sultan who command a palace, who is signs of superiority with the shahbaz on his arm, and withholder savings to offer a compliment to his servants. Thereby this imagination, shahbaz with features that take, the trapper and wounding, is liken to many elements such as lover's hair, eyes, look. The mood which tradition drawn to lover, is designed as an expression of the surrender this sultan / lover. This fiction has been subjected to a composition on the axis of hunting the birds of prey and representing the lover. Finally in this study, an evaluation is made on imagination with beloved who is likened herself or beautiful elements to shahbaz, the heart of lover that is prey to shahbaz.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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