Görüntüleme
61
İndirme
31
Abstract Soviet Avant-garde aimed to demolish the system of exploitation and to change the world; and according to this approach, art would be political inevitably. While artists were defining the world visually all over again, the poetics of this kind of a project could not be a cumulative consisting of the traditional canons of art history. This essay focuses on the exhibition titled “Dreaming the Future: Russian Avant-garde Art and Design” that opened at Sakıp Sabancı Museum, İstanbul on January 18, 2019 and the backgrounds of the works in it.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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