Abstract:

With the general lines of this study, Brazilian region music describes the life, the understanding of composition, the general characteristics of its compositions and the original music language of the 20th century Brazilian music's leading vetanist composer Heitor Villa-Lobos.  The composer's original work Chôro no.2 for flut and klarnet was studied in detail and prepared as a guidance guide for academics, executives and listeners in terms of voice and interpretation. This study consists of a quality research method that includes written, visual and hearing literature scan and technical and stylistic illustrations based on the author's professional experience to identify the stylistic characteristics of flut and klarnet music. When any musical work is addressed to be spoken, the notes appear on the executive statement. The music terms and explanatory expressions used by the composer explain to the executive how the work should be spoken. But for a good comment it may not be enough to apply these explanatory terms and signs only. Therefore, the need for the commentator to be aware of the work he will speak is very important in the interpretation of the work as necessary in the form of the work in which the ideas of music not written in the note are found and revealed in order to understand the music. In addition to being aware of the work to be called for a quality performance, it is important to find and reveal the ideas of music not written in the note. In order to show this awareness, the source of music ideas that form the musical work of Heitor Villa-Lobos Chôro no.2 was investigated, the details that must be known for the klarnet and flut performers who want to interpret this work were explained with examples. It is believed that the expression of the work in the light of this information will be positively reflected. The idea is taken into account that the discovery of the music ideas and details under the work to be spoken and that this knowledge will cause to consciously listen and interpret.

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Abstract:

This work outlines Brazilian local music and Heitor Villa-Lobos, the leading and best-known composer of twentieth-century Brazilian music, explains the life of composer, the general characteristics of his compositions and the original musical language. The song Chôro no.2, which the composer wrote for the flute and clarinet in its original form, was prepared in detail.This study consists of a qualitative research method which includes technical, stylistic and descriptive explanations based on the written, visual and auditory literature review and the professional experience of the author in order to determine the stylistic features of flute and clarinet music. When a piece of music is considered to be performed, the expression on the musical note can be found. Music terms and explanatory expressions used by the composer explain to the performer how to perform his work. However, it may not be sufficient to apply only those explanatory terms and marks for a good comment. For this reason, it is very important for the interpreter to be aware of the work he / she will speak, to find the music ideas that are not written on the note in order to make sense of the music and to interpret the work as necessary. In addition to having information about the work to be performed for a quality performer, it is of great importance to find and reveal music ideas that are not written on the note. In order to show this awareness, the source of the music ideas that composed the music work of Heitor Villa-Lobos called Chôro no.2 was researched and the details which should be known for the clarinet and flute performer who wanted to interpret this work are explained with examples. It is thought that the vocalization of the work in the light of this information will be reflected on the comment positively. The idea that the music ideas and details will be revealed and the reason for listening and interpreting with this knowledge is revealed.