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  Citation Number 2
 Views 62
 Downloands 12
2. DÜNYA SAVAŞI'NDAKİ SOVYET PROPAGANDA POSTERLERİNİN ÖFKE ÇEKİCİLİĞİ BAĞLAMINDA İNCELENMESİ
2018
Journal:  
İnönü University International Journal of Social Sciences
Author:  
Abstract:

            Öfke çekiciliği, insanlar üzerinde öfke oluşturarak belirli bir konu hakkında olumsuz tutum geliştirmesi ve ona karşı istenilen yönde hareket etmesini amaçlayan bir ikna tekniğidir. Öfke çekiciliği, propaganda disiplini içerisinde kitlelerin iknasında önemli bir rol oynamaktadır. Özellikle, 2. Dünya Savaşı'nda 22 Haziran 1941 tarihinde Nazi Almanyası tarafından işgale uğrayan Sovyetler Birliği, Nazilere yönelik öfke çekiciliğini etkili bir şekilde propaganda faaliyetlerinde kullanmıştır. Bu çalışmada, 2. Dünya Savaşı'nda Sovyetler Birliği'nin Nazi Almanyası'na karşı kullandığı propaganda posterleri öfke çekiciliği bağlamında incelenmiştir. Bu amaçla, All World Wars sitesince belirlenen öfke çekiciliği bağlamındaki 7 Sovyet propaganda posteri (Tehlike, Ölüm, Canavar, Tehdit, İntikam, Katil, Özgürlük), nitel araştırma yöntemleri içerisinde yer alan göstergebilimsel analiz yöntemi ışığında ele alınmıştır. Posterler, İsviçreli Dil Bilimci Ferdinand de Saussure'ün Göstergeler Modeli üzerinden analiz edilmiştir. Elde edilen bulgular ışığında, Sovyet propaganda posterlerinde, savaşta zarar gören sivil halk ön plana çıkarılarak Nazi Almanyası'na karşı öfke oluşturulmaya çalışıldığı, bu yolla Kızıl Ordu'nun Nazilerden öç alması için savaşması istendiği ortaya çıkarılmıştır. 

Keywords:

The Examination Of Soviet Propaganda Posters In The Second World War In The Context Of The Anger Appeal
2018
Author:  
Abstract:

Anger appeal is a persuasion technique that aims at developing negative attitudes about a particular subject and acting in the desired direction by creating anger over people. Anger appeal has an important role in persuading the masses within the propaganda discipline. In particular, the Soviet Union, occupied by Nazi Germany on June 22, 1941 in World War II, effectively used anger appeal against Nazis in its propaganda activities. In this study, the posters of propaganda that the Soviet Union used against Nazi Germany in World War II were examined in terms of anger appeal. For this purpose, 7 Soviet propaganda posters (Danger, Death, Monster, Threat, Revenge, Killer, Freedom) in the context of the anger appeal determined by All World Wars site were analyzed in the light of semiotic analysis method in qualitative research methods. The posters were examined in the context of the Swiss Language Scientist Ferdinand de Saussure's Indicators Model. In the light of the findings, it was revealed that in the Soviet propaganda posters, anger was raised against Nazi Germany, bringing the civilian people who were hurt in the war into the forefront, in this way it was found that the Red Army was encouraged to fight for the revenge against the Nazis.

Keywords:

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İnönü University International Journal of Social Sciences

Field :   Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Uluslararası

Metrics
Article : 300
Cite : 1.791
2023 Impact : 0.151
İnönü University International Journal of Social Sciences