Abstract:

The Ottoman history printing began quite late until the state's establishment history. The 13th Empire came to the historical stage. The end of the 14th century. As there are no official history records of the beginning of the century, the source works written by other nations are also extremely few. The first Roman history, XV. In the beginning of the century, the book was written by Yahya Fakih Menakıbnâmesi. The first works that give the history of the state the same information is XV. In the second half of the century. It is taken in the period. Official History of the History of the History of the History XVIII. It appeared at the beginning of the century and became a continuous service that will last until the end of the Empire. In fact, the case-specificity appeared in the Fatih era in the form of official history, and from the Legislative era to the continuity and to the posture of the XVII. It is the continuation of the martyrdom until the beginning of the century. The first products of the official history printing of the Ottoman era were made in Turkish and Persian, and the first producers were Idris-i Bitlisî and Ibn Kemal. Idris and Bitlisî II. Beyazid's ordered work which he received in Persian was first described in Heşt Behişt as the Ottoman Padişah in Persian. When we look at the lawful Sultan Suleiman era, we see that the works of the Mulifists who describe his long and glorious days of rule as men and manzum, whether or not carry a special name, are often referred to as "Suleimanâme". One of the important footprints of this history of printing is the translation of works. In our work, the history books and lectures printed by translating from Persian to Ottoman Turkish in the Ottoman period will be chronologically addressed and assessed by giving information about their lectures. In terms of the language and the characteristics of the work, although it is not difficult to understand, especially the entrance part that praises the Kanûnî Sultan Suleyman is quite widespread and long sentences are used in the paintings and poems. The subsequent episodes of the historical events were described with relatively clearer statements. In our study we have referred to the outstanding works that we have previously known about their contents and have not yet done a detailed examination of the historical developments of the years 1520-1530 including Kenzu'l-Cevâhiri's-Seniyye fî Futûhâti's-Suleymâniyye's nüsha characteristics, content, authority and language and style characteristics.