Özet:

The thought of man about himself, making judgments, making conclusions and, as a result, appreciating himself, liking him, criticizing him is one of the basic needs of being man. It is common for a poet who is much richer and more intense than a normal person to feel this need more deeply. It is possible to see the manifestations of the poets about themselves in their works. It is easier to identify these manifestations in Divan poems than in other period poems. Because it was allowed and even encouraged by the tradition to do "phary", which allowed the poets to be proud of themselves. In the Divan poetry, the direction of the glorious that the tradition encourages is again shaped by the tradition that it is also related to the poet, the pen, the nazm, the generation, the ability. Often in Divan poems, these are the title of the glorified topic, but it is possible to find more personal reasons of pride. Even if it is relatively less example to Fahriye, it is quite the opposite that the poet’s appearance is a situation that can be met in the Divan poetry tradition. In the study, one of the important representatives of the 17th century Divan poem, the Sheikhulism Yahya divan was discussed. The poet has been examined in the divine of the glory and the twist, and in the end it has been seen as many examples of both twist and twist. Another point that attracts attention in these examples is that if it is necessary to honor, it is found that the Tuvazu beats form a variety of meaning units, which are used in certain contexts. This means that they have been identified and tried to be evaluated together with the examples.

Anahtar Kelimeler: