Özet:

The rupture, which is the national music instrument of the Turks, had very important functions in the creation of the public literature outcomes in the period after the acceptance of Islam, even before Islamism. Kopuz, in the preservation, transfer and updating of the accumulation in the Turkish cultural memory, according to the historical periods to which it belongs, together with its executives given names such as shaman, kam, ozan or a lover, has taken the first degree of duty. This importance and function in Turkish culture and literature of the crowns and continues has been the opportunity for the celebration of this crown in the framework of the value given to the tradition from the early periods of history. The glory added to the crossing and execution, not only belonged to the pre-Islamic Turks, but also after the acceptance of Islam, the Turkish communities belonged primarily to the Alevi-Bektaşi faith, have been continued by various tasavvufi assemblies, also updated under the Islamic roof. In the framework of this information in our article, first of all, the Turkish acceptance of Islam and after their arrival to Anadolu, a number of detections and opinions on the execution of the breakthrough. After that, there was an explanation and an explanation of what he had done under the roof of Islam. At this point, the Turkish tasavvufu and Alevi-Bektaşi belief in the framework of love/zâkirlik tradition is broken and derived from the wire saze (binding) and the sanctuary tradition given to lovers/zâkir in the context of the updating of the process to the present day, the role in preserving and transmitting the cultural memory of this glory has been addressed by the public science perspective.

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