Özet:

Turkish official music is a very rich music with its multicultural structure, which is based in Central Asia, joined with Chinese, Indian, Faroe and the Middle East culture. With the acceptance of Islam, the most important theaters of the Middle Ages Islamic world, Kındî, Farâbî and Ibn-î Sîna, with their work, have made a great contribution to the development of Turkish authority music. The Turkish musicians showed their greatest development in the Ottoman state time. The fact that many of the Padişahs belong to the present ethic in this context is one of the most important factors in the development of the musical and literary rule. Turkish authority music has an important part in the development of its interaction with the Eastern geography. He has made a great contribution to the creation of the Qur’an and to the creation of the Qur’an and to the creation of the Qur’an. The fifteenth century was a century in which the theoretical works made on behalf of Turkish authority music increased, the construction accelerated and the modern musical Nazareth was formed. The sixteenth century passed with triumphs and conquests brought with it a stop in the name of the Musical, and the seventh century was a period where significant developments were in the composition field. Most music historians have regarded this period as a classical period. As also stated in the title of the study, Hatip Zâkirî Hasan Efendi is among the most important names in the religious form composition of this century. In the study, two works in the Rast office and divine form in the composer's TRT repertoire have been studied in terms of office and form, and outcomes have been made in the name of the musical culture of the time.

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