Özet:

One of the Cypriot Turkish poets found a place in Turkish literature is Nevzat Yalçin. Yalçin, a member of the literary community called "Hisarci" in the Turkish literature history, has been one of the most faithful representatives of the Hisar family with his poems, writings and ideas from the beginning to the end (1950-1980). The poet who was born in the town of Poli in 1926 in connection with the city of Baf of Cyprus, went to Turkey in 1945 for university education, and after that date, although he never broke his connection with Cyprus, lived in Turkey, England and Germany until the last day of his life, on October 31, 2012 he wiped his eyes to life in Cologne-Germany. Despite being developed in the pleasure and aesthetics of the Hisar magazine, which is the art member of Nevzat Yalçin, which is part of a national and traditional literature, the poet has published his first poems in the newspapers and magazines of the period in Cyprus. These are youth poems, which have productions between 1940 and 1950, written in full imitation. In these poems where the measurement of arus and hece is used, the influence of the folk and divan poetry traditions is more visible. The second stage of the art of Nevzat Yalçin is the Hisar period that is considered the maturity age. Yalçin, who has mostly shown his literary existence in the Hisar magazine, collects his poems of this period in two poems named "A" Street (1969) and "Sun and Man" (1977) in the book. In these poems he often deals with the themes of love, desire, nature and homeland love. First of all, the Yalçin, who takes care of the form objects such as measurement, sleep, writes with hece and aruz vezni, uses the classic nazim forms, increasingly turns to free vezni and poetry. Nevzat Yalçin’s madness age poetry is a poetry that has a skillful combination of feelings, thoughts and dreams, which profits greatly of the tradition, feeds from the pure poetry of Ahmet Haşim and Yahya Kemal, and is also an open synthesis to the Western poetry. The poems after Hisar, which can be referred to as the period of durability, constitute the third circle of the poet's art. She does not publish any of the poems she has written in this stage. These are only after the poet's death, brought together by Hatem Türk by the name Nevzat Yalçın Poirler (2015). The poet’s products of this period are poems that don’t resemble his poems in Hisar, the feelings in his advanced ages, the world of thought, and the political contents. In this article, discussing all the stages of the poetry of Nevzat Yalçin, the poems were tried to be evaluated in terms of structure and the elements of the poetry. In addition, the poet’s personality, spiritual and social portrait, in order to better understand the art of the poet, has also been revealed using the main resources. Thus, the awareness of Nevzat Yalçin, which is the greatest purpose of this study, is an important value of Cyprus Turkish culture and literature opened to Turkish literature.

Özet:

Nevzat Yalçın is one of the Turkish Cypriot poets who found place in Turkish literature. Yalçın, as a member of the “Hisarcılar” literary group, as known in the history of Turkish Literature, from the beginning to the end (1950-1980); he was a loyal representative of the Hisar group with his poems, writings and ideas. He was born in 1926 in Poli, Pafos district. In 1945 he went to Turkey for his university education, and although he never lost his connection with Cyprus, he lived in Turkey, England and Germany till the end of his life. He died in Köln, Germany on the 31st of October, 2012. Although Nevzat Yalçın’s art developed in the taste and style of the Hisar Magazine’s national and traditional literature, he published his first poems in Cyprus, in the magazines and newspapers of that time. These poems were written between 1940-1950 and they are youth poems and more like imitations. In these poems, in which the poet used metrical system and syllabic meter, the influence of Folkloric poetry and Divan poetry is seen. The second period of Nevzat Yalçın’s art is the Hisar period and considered to be his prime. Most of his work was published in the Hisar magazine. He collected these poems in two books, “A” Sokağı, 1969 (“A” Street), and Güneş ve Adam, 1977 (the Sun and the Man). The themes of these poems are mostly love, longing, nature and love of the country. In the beginning he used metrical system and classic verse forms, and gradually he moved to free verse. Nevzat Yalçın, in his prime poems, masterly compounds the emotion, thought and imagination in the western way; he uses tradition a great deal; inspired by Ahmet Haşim and Yahya Kemal’s poetry, and made a synthesis out of all these. The poems written after Hisar belongs to the third period that qualify as the stagnation time. Yalçın, didn’t publish any of the poems he wrote in this period. These poems were collected by Hatem Türk and published after the poet’s death as Nevzat Yalçın Şiirler (2015). The poems of this period were unlike the poems published in Hisar, as they reflected his feelings and thought of advance age and they are quite politic. This article treats all phases of Nevzat Yalçın’s poetry and evaluates his work from the structural and contextual point of view in order to be able to analyse his poetry better, put forward and make use of his personal, spiritual and social portrait. Thus, this study’s main aim is to raise awareness about Nevzat Yalçın, a Turkish Cypriot poet and writer who found place in Turkish Literature.

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