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Hangi Alandan Hakem Atanmalı: Sanat, Sanat Tarihi MİTOSTAN İMGESEL LOGOSA: BEDRİ RAHMİ EYUBOĞLU’NUN BAZI RESİMLERİ Doç. Dr. Mustafa Gürbüz BEYDİZ Çankırı Karatekin Üniversitesi, Türkiye [email protected] https://orcid.org/0000-0002-8196-4105 ÖZ Mitoslar içinden çıktığı toplumun kültürel izlerini taşıdığı gibi coğrafyalar aşarak farklı toplumlarda da yeni bir kimliğe bürünerek geleceğe aktarılmıştır. Aynı zamanda bu anlatılar zaman içinde de değişebilmektedir. Sanatçı da içinden yetiştiği toplumun bir bireyi olarak eserlerinde de bu tür kültürel kodların imgeleriyle sanatını var etmeye çalışır ve estetik kaygıyla onu alımlayıcıya sunar. Ancak sanat objesinin misyonu bir galeride süjeyle olan vuslatıyla son bulmaz. Aslında sanatçısının hayal gücünden başlayıp biçime dönüşerek devam eden sürecin sonunda ortaya koyduğu manifestosudur. Böylece sanat objesi sanatçısının evrenselliği ile ölümsüzlüğüne kadar giden yolda birer mihenk taşına dönüşür. Bu nedenle Bedri Rahmi’nin eserleri ölümsüzdür ve kendisi de evrensel bir sanatçıdır. Hem edebiyat hem de plastik sanatlar alanında ortaya koyduğu çalışmalar sanat çevrelerince hep önemsenmiştir. Onun resimlerine bakarken tuvalinden Anadolu tadında mitsel kokuyu alırsınız. Kompozisyonlarında da mitoslarla şekillenen hayal dünyasının imgesel şifrelerini öğrenirsiniz. Fırçası bir kalemdir ve resimleri ise bir roman. Bu araştırma onun bazı resimlerindeki renkli dünyasına ait alegorik imgeleri mitoloji üzerinden okumak amacıyla ilgili literatür taramaları yöntemiyle hazırlanmıştır. Anahtar Kelimeler: Sanat, Mitoloji, Resim, İmge, Bedri Rahmi Eyuboğlu. FROM MYTHOS TO IMAGINARY LOGOS: SOME PAINTING OF BEDRI RAHMI EYUBOĞLU ABSTRACT As myths carry the cultural traces of the society from which they originate, they have also been transferred to the future by taking on a new identity in different societies by crossing geographies. At the same time, these narratives can also change over time. The artist, as an individual of the society in which he/she grew up, tries to bring his/her art into existence with the images of such cultural codes in his/her works and presents it to the buyer with aesthetic concerns. However, the mission of the art object does not end with its vuslat with the subject in a gallery. In fact, it is the manifesto of the artist at the end of the process that starts from his imagination and continues by transforming into form. Thus, the art object becomes a touchstone on the road to the artist's universality and immortality. For this reason, Bedri Rahmi's works are immortal and he himself is a universal artist. His works in both literature and the plastic arts have always been highly regarded by art circles. When you look at his paintings, you smell the Anatolian flavor of myth from his canvas. In his compositions, you learn the imaginary codes of the imaginary world shaped by myths. His brush is a pen and his paintings are a novel. This research was prepared through literature reviews in order to read the allegorical images of his colorful world in some of his paintings through mythology. Keywords: Art, Mythology, Painting, Symbol, Bedri Rahmi Eyuboğlu.
Which field of judge should be appointed: Art, Art History MITOSTAN IMGESEL LOGOSA: BEDRİ RAHMİ EYUBOĞLU'S BAZI RESIMES DOC. Dr. Mustafa Gürbüz BEYDIZ Çankırı Karatekin University, Turkey [email protected] https://orcid.org/0000-0002-8196-4105 OZ Myths have been translated to the future by transcending the geographics and bringing a new identity in different societies. These stories can also change over time. The artist also tries to create his art with the images of such cultural codes in his works as an individual of the society in which he grows and with aesthetic concern presents it to the buyer. But the mission of the art object does not end with the vuslat in a gallery. In fact, it is the manifesto that the artist reveals at the end of the continuing process, starting with his imagination and turning into form. Thus, the art object becomes a stone in the way to the universality and immortality of the artist. Therefore, the works of Bedri Rahmi are immortal and he himself is a universal artist. His work in both literature and plastic arts has always been important in the art environments. When you look at his pictures, you will get a mythical smell from the towel of Anadolu. You will also learn the image codes of the fantasy world shaped by myths in their compositions. His brush is a pen and his paintings are a novel. This research was prepared by the method of related literary scans with the aim of reading the allegoric images of the colourful world in some of his images through mythology. Keywords: art, mythology, painting, Imge, Bedri Rahmi Eyuboğlu. As myths carry the cultural traces of the society from which they originate, they have also been transferred to the future by taking on a new identity in different societies by crossing geographies. At the same time, these narratives can also change over time. The artist, as an individual of the society in which he/she grew up, tries to bring his/her art into existence with the images of such cultural codes in his/her works and presents it to the buyer with aesthetic concerns. However, the mission of the art object does not end with its vuslat with the subject in a gallery. In fact, it is the manifesto of the artist at the end of the process that starts from his imagination and continues by transforming into form. Thus, the art object becomes a touchstone on the road to the artist's universality and immortality. For this reason, Bedri Rahmi's works are immortal and he himself is a universal artist. His works in both literature and the plastic arts have always been highly regarded by art circles. When you look at his paintings, you smell the Anatolian flavor of myth from his canvas. In his compositions, you learn the imaginary codes of the imaginary world shaped by myths. His brush is a pen and his paintings are a novel. This research was prepared through literature reviews in order to read the allegorical images of his colorful world in some of his paintings through mythology. Keywords: Art, Mythology, Painting, Symbol, Bedri Rahmi Eyuboğlu.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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