Abstract:

In this study; the understanding of the office of Nasir Dede in Abdülbaki, the office prescriptions and the office prescriptions of Dede in public music and the possibility of the office prescriptions of the Turkish people were focused on issues. The popular music culture, which has an important place in Turkish music, is described by Uşak, Hicaz, Kurdi, Segah, Hüzzam, etc. with a number of main authorities or with foot concepts such as Kerem, Garip, Tatyan, Müstezat, which makes this music culture light in terms of office wealth. Therefore, in the past centuries, Turkish music must be expressed and named from the authority point of view by the theorists and theories that make up the roots of Nazareth. This is the reason why this work has been approached by the movement of the Nazar Father and his Nazari understanding in Abdülbaki. In order to explain the matter in detail, the Five People's Music Works have been determined in return for five authorities and authorities, including Nühüft-i Kadim, Mahur-i Kebir, Hûzi, Araban and Muhayyer, which was explained by Abdülbaki Nasir Dede in his own description. The work is designed to reveal the necessity of the concept of office in the turks, indicating the starting wardrobes, tracks and front wardrobes, which are one of the determining elements of the authorities, the concept of foot and the concept of public music is limited to the direction of office. In the study, a scan model was used from the visual analysis methods for the subject to be sufficient. In the collection of information and data involved in the research; the previously made theses, published books, and the works of "Tedkik-ü Tahkik" have been used. The notes of the Turks were taken from the TRT notes archive. The fact that every tour has a authority and the Nazari understanding of Nasir Dede in Abdülbaki and the enrichment of the expression language of folk music reveals the importance of the work. Through the subjects that make up the authority on the Turks, the concept of foot is actually found to be insufficient in the interpretation of the theory of popular music, the concept of authority is more defining and explicit.

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