Özet:

Today, when the human relationship with nature is decreased, it is a inevitable fact that the only salvation is possible by returning to nature. The artists who have a direct connection with the tools that nature offers are trying to show that it is possible for man to integrate with nature to create balance. Seeing is actually an action of thought, and it will be the only way to get into the essence that the human beings are aesthetically sensitive to what they see. The Chinese artist Chen Zhen (1955-2000), who is among the most important names of 20th century contemporary art with his works combined with minimalism and conceptual art, has produced works on the relationship between man, society and nature.  The artist is questioning the production of the art by bringing the audience into the world of those who appear in his works. Zhen started a dialogue between the temporary character of his works and the concepts of proximity and distance, i.e. distance. The artists who travel in nature with the vehicle they get from nature in a sense relate to the relationship between object and space. The artist, Chen Zhen, participated in the exhibition at the Rockbund Art Museum in Shanghai in 2000 with his work called Purification Room "Refining Room". In this work, the artist who creates a space contrary to the audience’s habit, has covered all the objects in this space he creates with silk stone. In this study, the artist’s work called “The Repair Room” will try to identify the images and the meaningful dimensions that the whole work leaves to the audience.

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