Abstract:

Mevlevi Ceremony has an important place among Turkish Music and Turkish Religious Music forms in terms of Turkish Music theory and pattern. The examination of the works in this form written in a rich composition technique and having a comprehensive and wide functioning is very important for Turkish Religious Music. In this study, it has been aimed to explain in detail the whole of the Sazkar Mevlevî Âîni, which were composed by Zeki Atkosar, one of the composers of today’s Mevlevî rituals, in terms of relationship with pattern and Aruz prosody and in the methods used in rituals, the relationship between Aruz measures in which the songs are written. Within this direction, the concept of 'Mevlevî Âîni Sherif' has been explained in the first title of the study. In the second title of this work, the concepts of pattern and aruz prosody being the basis of analysis studies have been mentioned. In the third chapter; the life, art and works of composer Wick Atkosar have been explained. In the last part; the syllabic distribution of the song of 'Sazkár Mevlevî Aïni Şerif' chapters was examined by placing the main patterns and velvele beats in the templates.The desire prosody meters of the song were determined and their shape features and meanings were explained. In this context, it was found that the syllable distribution of the song were mostly placed regularly.

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