Özet:

In this study, the paintings of the artist painter Mehmet Başbuğ, the aesthetic components are interpreted and judged by the work analysis in the context of the themes and color palette. In this context, the artist’s chosen works are described as plastic and subject, painting productions are studied depending on literature. The painting works can not only illustrate an artist’s aesthetic concerns, but also the artist’s emotional world, with many different elements. Images of the subconscious concepts in the works produced by painters and psychological preferences and aesthetic choices are open or covered, such as shapes, symbols, colors, etc. It is known that it can be transmitted by elements. In this regard, the artist's paintings-works combine many different elements of aesthetic concepts. Thanks to the effort to understand these concepts, the artist’s imaginary world will be able to create more awareness in the viewers. In the works of Prime Minister Mehmet, there is a original creative fantasy that appears to be concrete. Work preferences, oil paint on the plate, paper pattern, etc. It is made up of works. Their compositions are unified and unified. The artist has developed a unique technique with the thought-based preferences and organizations of the color palette and has managed to transfer the personal painting theory to his works. Perspective uses are created in connection with their compositions, extension with objects or shadows of figures makes symbolic statements about the place. The first “an” is the second “distance” concept. Without exaggerating in his paintings, his works, inspired by traditional culture, revealed works that showed artistic sensitivity by showing the very original language of the painting. The artist’s interest in cultural connections and personal history is expressed in a picture, especially in terms of colour and subjects.

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