Özet:

Woman is a being who produces language by practicing it and who is being referred to on the basis of language. The practice of language, i.e., every realization of each being and language, takes place in terms of words and art as the highest level of actualization of language. This paper focuses on how woman, religion and art entered into a dialogue in Turkish Islamic art, so to determine the level of actualization of woman being in language, with special reference to some works of art such as Taj Mahal and oil paintings by Osman Hamdi. The basic question of the paper is put as follows: Did woman being disclose herself mostly as an artist or an object of art in Turkish Islamic art? Asked differently, what is the degree of practice of language of art by woman in Turkish Islamic art? Following the way opened up by this question will display another question if the women stayed historically on the periphery (inside of centre) in their meeting with art and religion

Anahtar Kelimeler: