Özet:

Nâzım Hikmet, known for his poems that leave lasting traces in Turkish literature, has become one of the turning points of innovation both for his period and for later by expanding the field of modern poetry. Four novels of the poet, one of which is missing, whose reputation exceeds the borders of the country while he lives, naturally remain in the shadow of his poems. In this study, first three novels are discussed from aspects such as subject, technique, narration, narrator, point of view, ideology, characterization, and the poet's view of social facts, events, situations, religion, woman, family is revealed. In novels where, ideological discourse is at the forefront, characters representing opposing worldviews are selected from within society. Dialogue, internal analysis, depiction, summarizing, interpretation, going back, going forward are the dominant narrative techniques, while the fictional structure is created through the areas of intellectual, emotional and factual conflict. The most successful novel of the author from the point of view of the chosen point of view, narrator, distance of allusion, narrative, technique, characterization and editing is the Kan Konuşmaz novel. The events and situations related to the poet's life are fictionalized through representative people in the novel Yaşamak Güzel Şey Be Kardeşim, despite this, the feeling that the characters are spoken/directed by a single person/author prevails. This novel, in which ideological rhetoric or dialectical materialism is most pronounced, violates the dec between fiction and reality. The novel Yeşil Elmalar, which is based on the plural perspective, letters and mementos, is an adventure novel. In the novel, which is influenced by traditional folk narratives, the chain of events expands with unexpected dangerous adventures.

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