This paper studies the novel Nobody’s Sons by one of the leading Albanian literature writers in Kosovo, Rexhep Qosja. Analyzes the characters, the events, the historical topic; as well as dealing with the form or structure of the novel. The novel Nobody’s sons by Rexhep Qosja was published in Prishtina, in 2010. As to the genre, the novel follows the trilogy of the novels: The Death comes to me from such eyes (Vdekja më vjen prej syve të tillë, 1974), One love and seven guilt (Një dashuri dhe shtatë faje, 2003) and The night is our day (Nata është dita jonë, 2007). All of Rexhep Qosja’s novels have the following elements in common: the preoccupation of man and political systems, the Albanian and political systems, and, by a rare, slight difference, the model and the method of writing. The novel is regarded as one of the most avant-garde, postmodern Albanian novels; therefore the analytical approach used within this article will try to assess the functioning of this form in relation to the content and literary values that this novel represents.
Alan : Eğitim Bilimleri; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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