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Abstract Feminist movement deconstructs the constructed images of women on the screen as well. The gap between real and reel woman is a vibrant topic of discussion for the feminist scholars. As a regional genre of Indian film industry Assamese film flourished during the third decades of twentieth century. Like the films of other parts of the world, Assamese films also constructing the image of woman, particularly Assamese women, in its own way of projection. Hence, this article is an attempt to explore the questions related to women’s representation by taking the films of Assamese director Dr. Bhabendra Nath Saikia as reference. Moreover, as per the demand of the article it will cover a historical overview of the representation of women in Indian cinema and Assamese cinema. Different theories from psychoanalysis and feminism will be applied to analyze the select movies. Author Biography Minakshi Dutta, Assam Women's University Assistant professor, Cultural Studies Department References Agarwala, J. P. (2003). Asomor Silpa Garhat Asomiya Sarsakar Daitva In Dr. H.Gohained. JyotiPrasad Racanavali. Guwahati: Publication Board.

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