Özet:

Turkish Sufi literature is a literature written by living in a general framework. On this axis, the literature in question has been shaped mainly around the perception of human and unity of body. The staff of the relevant literature is mostly mystic. The works written in this direction are also sufi content. The aim is to transfer the doctrine of mysticism to human beings and to enable human beings to lead a more moderate life. To do this, communication is essential. The anxiety of the works to communicate with people has caused the language of the works in question to be simple and the style to be fluent. Based on this logic, the works in question often did not have any concerns about making art. A large part of those who took a place in the relevant literature presented their art and works to the service of mankind. The aforementioned call, made on behalf of humanity to gain profit in the life of the world and the hereafter, enabled Turkish sufi literature to raise many voices. One of these voices is undoubtedly Yûnus Emre. Yûnus Emre is one of the most plain-voiced poets of Turkish sufi literature. The language he uses is pure and clear Turkish. The simplicity of Yûnus Emre's language is due to his symbolist expression. Symbolism in Yûnus Emre's poetry is ingrained in the knitting of the poem. That's why a school called Yûnus Emre's school was formed and his language, style and expression were kept under constant evaluation and observation by the researchers. The similes and narrative expressions and symbolism in Yûnus Emre's poetry seem to have been processed throughout his Dîvân. For this reason, by reminding the existing studies; all of the sample couplets were presented to the attention with meaning. It was emphasized that the special concepts in the couplets are actually symbols. It became clear that this situation was a narrative feature. Thus while the article in question reveals what Yûnus Emre tells and how It also brought up an issue related to the discourses of poets.