The illusion as a concept in theater is the credibility effect of the work exhibited on the audience. By means of this concept, the audience thinks what is happening on the stage as something that actually happens, and as a result, they sometimes present some reactions. The performance of the players, the credibility of the decor, the effect of the play text, and the psychological condition of the audience can be cited as the factors that create illusion. In our study, while focusing on the effect of the illusion concept on the play, the effect of romanticism and classicism movements on audience behavior was also examined, and the connection between the aspects of romantic theater that separated from classicism and social transformation was questioned. Thus, the emergence conditions of the illusion concept are discussed. In addition, while analyzing the text-centered supporters of the illusion concept, the elements of dialogue, tirat and discursive heroism were also explained with examples.
The illusion as a concept in theater is the credibility effect of the work exhibited on the audience. By means of this concept, the audience thinks what is happening on the stage as something that actually happens, and as a result, they sometimes present some reactions. The performance of the players, the credibility of the decor, the effect of the play text, and the psychological condition of the audience can be cited as the factors that create illusion. In our study, while focusing on the effect of the illusion concept on the play, the effect of romanticism and classicism movements on audience behavior was also examined, and the connection between the aspects of romantic theater that separated from classicism and social transformation was questioned. Thus, the emerging conditions of the illusion concept are discussed. In addition, while analyzing the text-centered supporters of the illusion concept, the elements of dialogue, tirat and discursive heroism were also explained with examples.
Alan : Filoloji
Dergi Türü : Ulusal
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