Came up among the Palestinian people, the term Sumud signifies a passive resistance of ideological uprising, the Intifada movement, but it doesn’t mean Arab nationalism. For Palestinians the term Sumud means a stand in between pacifism and violence, rejection of exile with perseverance and stability and standing firm for the homeland. When it comes to identity and past; attributes of Palestine folk culture like press, poem, novel, music and their particularities in terms of public events are trajectories of Sumud movement and they formalize this concept through their narrative dimensions. Many examples of the Palestine cinema, which is a part of Palestine culture, can be seen as a diaspora-exile cinema as well. The reason for this is that, other then in Arabic, most of the films are produced in English and French, productions of Palestinians in exile, their contribution in distribution and screening phases, cross-border narrations and the priority of political agenda of the country over the scene. From the perspectives of the diaspora and the exile, Palestine cinema does not represents stylistic features but the conditions of productions. This model of exile cinema is cross-border2… Taking into acount the fact multicultural base of the Middle East, the Palestine cinema is an intercultural cinema and its ideological discourse is consisted by a very strong memory and traumas. Under the principles of Sumud movement, this study will examine the characteristic features of the Palestine cinema as an example of the Middle Eastern cinema, which is nourished by rich and long rooted Middle East culture, and will try to look the transmission of the positive discourse for the peace through the artistic framework.
Dergi Türü : Uluslararası
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