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Abstract The article analyzes the filmic adaptation of Alan Moore´s graphic novel, V for Vendetta: a political alegory against totalitarian governments. It aims at questioning the theme of vengeance, facing contemporary terrorist outrages. It also investigates the intertextuality and the tradutory process, with emphasis in the stereotype and in the masked heroe´s visual composition. Downloads Download data is not yet available. Author Biography Denise Azevedo Duarte Guimarães, Universidade Tuiuti do Paraná Professora Aposentada e doutora em Estudos Literários pela UFPR. Atualmente  é docente e vice-coordenadora do PPGCOM da Universidade Tuiuti do Paraná. Downloads PDF (Português (Brasil)) Published 2010-03-12 How to Cite Guimarães, D. A. D. “Utopies, Anachronisms and Distopies in V for Vendetta: from the Pages to the Screen”. Intexto, no. 21, Mar. 2010, pp. 70-87, https://seer.ufrgs.br/index.php/intexto/article/view/11187. More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Issue No. 21 (2009) Section Articles License The copyright of works published in this journal belong to the authors, and the right of first publication is conceded to the journals. Due to the journal being of open access, the articles are of free use in research, educational and non-commercial activities.

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