Özet:

The land, which is an indispensable element for all living beings and therefore always occupies the agenda of mankind, has become one of the main objects in Divan literature, as in almost every culture. By studying nature, the Divan poets, trying to acknowledge an idealized world in their poems, have worked in a variety of ways, by moving in the color, shape and smell axis, addressing the land with various arts, especially the hüsn-i ta'lîl and the promotion arts. The land that comes to us with the worlds of different meanings, in the hands of the Divan poet, comes to us as a motivation featuring with mythological, folkloric, philosophical, religious, philosophical elements. In it is the housing of jewellery, the association with death; the door, the horse, the heart, the sin, the secdegâh, the knight, the plate player, the bed, etc. The fact that it is similar to the concepts, makes it an important element in our culture. It also has been the subject of a wide world of imagination, addressing them together with speeches, phrases, beliefs and affairs. In this article, the Divan poets will try to reveal how the "ground" motivation is shaped in the comparison and imagination worlds, and therefore the manifestation in our culture, by scanning the divans of different centuries.

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