Özet:

The Selçuklists, who have taken an important place for themselves in the Turkish-Islamic art, have brought their own knowledge and accumulation wherever they dominate, and have developed with their influence in local cultures and presented innovations. They have shown unique examples with the Chinese decoration technique, which is open to innovation and experimentation among the Selchuklu decoration arts. The minai technique found by the Great Selchucks is also called "heft color" which means seven colors. It is preferred in the Iranian region for use and decorations. Minai has emerged as a new decoration technique achieved as a result of the application of the minai and secret techniques on the same ceramic boiler. In the large Selchukles, the ceramics manufactured with the minai technique included the paintings of the subjects that talked about the palace, entertainment and hunting scenes. They usually decorated on the white floor using purple red, firous, blue and black paintings. There are very rare minai decorations made on the plate floor in large selchuchs. In the newly established cities after the Turks took over Anadolu, the construction process continued with full speed. In these cities they decorated the surfaces of the architectural works, with the art understanding they brought from the places they were before. In Konya, which is the second capital of the Anadolu Selçuklists after İznik, they have shown important works such as the palace and corner. and II. The Sword Lion Corner carries a characteristic different from the other structures with the minai technique used in chini decorations. The flat and white floor plot is well made, the compositions of the palace nobles and mythological beings are painted on the sixth, eighth and multi-gen star plates. The baklava shell, used as a complementary element, is processed with plant and geometric motifs in the triangle and cross ceramics. and II. The minai decorations of the Sword Lion Corner are very valuable in terms of being the only example in Anadolu. In the study, visual analyses of these works were made.

* This study was produced by the first writer’s doctoral thesis.

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