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Orhan Pamuk, Türkiye’de kimileri tarafından “siyasal İslam” olarak adlandırılan hareketin romanını yazmak ister. Bu arzusunu, Kar romanına son söz olarak eklediği bölümde ifade eder. Pamuk, Türkiye’deki muhafazakâr hareketin yayınlarını merakla okur, başörtüleri sebebiyle üniversitelere alınmayan kızların öfkeli kitaplarında, “siyasal İslam”ın propaganda risalelerinde, yarı çıplak gezerken örtünüp İslam’a dönen göbek dansözünün eğlenceli hatıralarında roman için çok ayrıntı bulur. Bunları, 1990 Türkiye’sini anlattığı Kar adlı romanına konu eder. Çünkü “siyasal İslam” bu yıllarda toplumda taban bulur, rağbet görür. Bu durum Türkiye’deki laik görüşlü kesimlerde rahatsızlığa sebep olur. Orhan Pamuk Kar romanında laik ve “siyasal İslam” görüşlü kahramanları aracılığıyla Türkiye’deki toplumsal gerginliği anlatır. Buket Uzuner İstanbullular adlı romanında İstanbul’da ikamet edenleri anlatır. Bunların bir kısmı Anadolu’dan İstanbul’a göç eden, şehir kültürünü çok özümseyememiş Kayserili, Diyarbakırlı, Vanlı, Antalyalı, Yozgatlı Anadolu insanları; bir kısmı on yıllardır İstanbul’da yaşayan Türkler, Ermeniler, Yahudiler, Levantenlerdir. Değişik sosyoekonomik ve sosyokültürel çevrelerden olan kahramanların bir kısmı laik görüşlüdür. İstanbullular romanı ilk baskısını 2007 yılında yapmıştır. Fakat romanda anlatılanlar 2000’li yılların başında yaşanan siyasi sosyal olaylardır. Bu dönemde, Türkiye’de siyasal iktidar, romandaki laik kahramanların görüşüne göre, İslamcıların eline geçmiştir. Dolayısıyla hayatın bazı tarafları da değişmiştir. Laik görüşlü kahramanların buna itirazı, bundan bazı memnuniyetsizlikleri vardır. Bu yazıda; Orhan Pamuk’un Kar adlı romanında, iktidarı İslamcılara “kaptırmama” mücadelesi veren laik kahramanların “siyasal İslamcı” kahramanlara dair korku-endişeleri ile Buket Uzuner’in İstanbullular romanındaki laik kahramanların “siyasal İslamcı” alarak değerlendirdikleri kahramanlara bakışı analiz edilecektir.
Orhan Pamuk wants to write the novel of the movement, which some in Turkey call "political Islam". He expressed his desire in the chapter that he added as the last word to the novel Snow. Pamuk reads with curiosity the publications of the conservative movement in Turkey, finds a lot of detail for the novel in the angry books of girls who are not taken to universities because of their headquarters, in the propaganda messages of "political Islam", in the fun memories of the stomach dancer who is covered while half naked and returns to Islam. This is about the novel Snow, which describes the 1990s of Turkey. Because “political Islam” finds the foundation in society in these years, despite it. This will cause discomfort in the religious sections in Turkey. Orhan Pamuk Snow in his novel describes the social tensions in Turkey through the laic and "political Islam" visionary heroes. In his novel, Buket Longer Istanbuls, he tells the people who live in Istanbul. Some of them are Kayserili, Diyarbakırlı, Vanlı, Antalya, Yozgatlı Anadolu people who migrated from Anadolu to Istanbul, who have not absorbed much of the city culture; some are Turks, Armenians, Jews, Levantins who have lived in Istanbul for decades. Some of the heroes from various socio-economic and socio-cultural environments are secular. The first edition of the novel was in 2007. But what is written in the novel is the political social events that occurred in the early 2000s. During this period, the political power in Turkey, according to the opinion of the laic heroes in the novel, passed into the hands of the Islamists. Some aspects of life have also changed. The wise heroes are opposed to this, there are some dissatisfactions about it. In this article; in Orhan Pamuk's novel Snow, the fears of the "political Islamic" heroes of the secular heroes who give power to the Islamists the struggle to "capture" and the look of the heroes that the secular heroes in Buket Uzuner's Istanbulists novel will be analyzed by taking "political Islamic".
Orhan Pamuk want to write the novel about movement called “political İslam” by some in Turkey. He expresses this desire in the episode he added to the novel Kar as the last word. Pamuk eagerly read publications of the conservative movement in Turkey. He found many details for the novel in the books written by resented girls who were not admitted to university because of the headscarf, in the treatises of “political Islamist” propaganda, and in the amusing memories of the belly dancer who was covered up and converted to Islam when she was a half-naked woman. He discuss them his novel Kar which tells about 1990’s Turkey. "Political Islam" finds a base in the society in these years and becomes popular. This causes discomfort in the secular-minded segment in Turkey. Orhan Pamuk narrated the social tensions in Turkey through the views of secular-minded and “political Islamist” heroes. Buket Uzuner tells about the inhabitants of Istanbul in her novel Istanbullular. Some of them are Anatolian people from Kayseri, Diyarbakır, Van, Antalya, Yozgat who migrated from Anatolia to Istanbul and could not absorb the city culture; some of them are Turks, Armenians, Jews and Levantines who have lived in Istanbul for decades. Some of these heroes from different socioeconomic and sociocultural circles have secular views. The Istanbullular made its first edition in 2007. However, what is told about novels are political and social events that happened in the early 2000s. During this period, political power in Turkey, in the opinion of the secular hero of the novel, is in the hands of Islamists. Therefore, some aspects of life have also changed. Secular-minded heroes have an objection to this and dissatified with the course of the events. This article analyzes the fears and worries of secular heroes of Orhan Pamuk’s novel, Kar, who struggle not to "lose" power to Islamists, and the views of secular heroes about those whom they see as “political Islamists” in Buket Uzuner's novel of Istanbullular.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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