Özet:

The term Post-Production is a term in art by Nicolas Bourriaud that means the post-execution of the work and is widely used by the world of cinema and television. This term suggests to think more about the effects that occur after the production of the work while associated with art from the Bourriaud window. This description clearly offers an approach that makes the post-production more important in the artwork of time. Time is noted here that it is important not only by the changing, transforming side but also as a factor that develops outside the control of the person who produces the structure. It is important that the works of art that passed beyond the time in which they were made in the social sense are associated with different meanings in each memory that is achieved in this context. It is observed that time is an important element in achieving the real value of the work. This situation supports the fact that the museums and galleries often expressed in the criticism of the traditional museum and gallery system are not adequately suitable to reflect the periodic characteristics of time. Even in the full expression of the effects of the transformed time on the understanding of the work, it can even be claimed that the time is not sufficiently represented in the galleries and museums. It is also a situation that should be considered on the method of presenting works by bringing together the works made in similar times. It is important to understand the effects of the time that turns. When all these effects of time are assessed, the memory time relationship, which the post-production definition also reminds, becomes even more important when the effects of time on the art are taken into account.