Özet:

Architecture and cinema have always been two interactive, related disciplines. The relationship of two disciplines with space, people and time has connected architecture and cinema, creating a different partnership that brings each other into existence. The biggest similarity of cinema and architecture is that they present defined/designed spaces and make the viewer/user experience these spaces. Space facilitates mental, visual transfer for cinema and directly shows what is wanted to be told. Films can convey feelings and thoughts, the troubles, joys, victories and sorrows they want to tell, to the audience through connection established with place, through places, architectural images. In short, every film made visually and intellectually contributes to architecture and opens new horizons in the design and perception of space. One of directors who best interprets/uses space in cinema is Wes Anderson. The importance of Wes Anderson films is that they skillfully convey the place, events to the audience with music prepared in accordance with the film themes. In addition, the most prominent feature of Anderson's films is the colors he uses in films. He strikingly conveyed world he wanted to tell by using color in film locations, and he captured a unique expression language with color palettes used. With combination of real and the surreal, he managed to tell the miraculous, ordinary events in his own style. In the study, movie named The Grand Budapest Hotel, directed by Wes Anderson, will be analyzed in context of the color-space expression relationship, its spatial and semantic analysis will be made with phenomonological film analysis method. Thus, spatial perception will be read through colors through he Budapest hotel. Each film transforms into different forms with perception of audience, similar form changes with perception of the user in every place. How to read the spatial perception with the colors Anderson used in the film will be main aim of the study.

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