Özet:

From ancient times to today, hunger, drought, humidity, or better education has led to the people to leave the land they live in and to go to other places or other lands in the same land, and it is still and still. Such events inevitably put the cultural phenomenon in the forefront. The immigration phenomenon has been discussed by many writers and the main theme of their works has been made. In this article, we explore how the Dutch writer Murat Işık, who witnessed the immigration at a young age, took the pen and discussed the immigrants in the novel Verloren Grond (Lost Land), which carries traces from his family's real life story. In the work, the obligatory, then voluntary migration of the Uslu family who migrates from a village to another village and from there to a big city, is presented in conjunction with the feelings, thoughts, hopes and disappointments of the family members. The work is drawn up through the immigration theory's push-up model and a series of motivating and attractive factors created on immigration. Individuals leave the places where they live for certain motivating reasons and go to the places where they think they are attracted. The most important incentive in the work is the cutting of the leg of the family and, in turn, the attractive factor for the economic rescue of the family, the remaining field of the father in his own village. The land phenomenon is important for the human being because it is the horse's heritage, it represents belonging, identity and freedom. The second major driver of the earthquake is the idea of going to the big city as an attractive factor. Families with different social, cultural and psychological harmony problems after migrations face the process of culturalization. The immigration phenomenon—water is of economic, cultural and social importance for the Good Family—and results in positive and negative consequences for each individual.

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