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İç Ege bölgesi, tasvirli camilerin yoğun olarak gözlemlendiği bölgelerden biridir. Uşak ilinin Banaz ilçesine bağlı Yeşilyurt (Holuz) köyü camii, moloz taş örgüsü, bağdadi kubbenin kullanıldığı ahşap çatı örtüsü, yazı programı, zengin kalemişleri ve kalemişlerini yapan usta adına sahip olması dolayısıyla önemli bir köy camisidir. Kalem işlerinin motif repertuarını vazolara yerleştirilmiş minyatür ağaçlar, sembolik tekke aletleri, kent tasviri, kıvrık dallar üzerine yerleştirilmiş bitkisel bezemeler ve sıvaların altında kalmış olan çeşitli motifler oluşturur. Oldukça tahrip olmuş eser, yıkılmak üzeredir. Mülkiyeti köy tüzel kişiliğine ait olan yapı, İzmir 1 Numaralı Kültür ve Tabiat Varlıklarını Koruma Kurulu tarafından 23.08.1988 tarih ve 463 sayılı kararıyla tescillenmiştir. Kitabesi olmayan caminin kim tarafından ve ne zaman yapıldığı bilinmemesine rağmen bezeme özellikleri değerlendirildiğinde 19. yüzyılın sonlarına doğru yapıldığı ve bezendiği söylenebilir. Makalede yapının mimari özellikleri ve kalemişi bezemeleri detaylı olarak incelenmiş, dönemi içerisindeki yeri ve önemi tespit edilmiştir. Dönemi hakkında önemli ipuçları veren eser, oldukça tahrip olmuş ve yıkılmak üzeredir. Yapı en kısa sürede aslına uygun onarılmalı ve gelecek kuşaklara aktarılmalıdır.
The interior Egean region is one of the areas where painted mosques are widely observed. The servant province connected to Banaz district is a important village mosque because it has the name of the master who makes the rich remains and remains, the moloz stone grid, the wooden roof cover, the program of writing, the garden cube, the garden cube, the garden cube, the garden cube, the garden cube, the garden cube, the garden cube, and the garden cube. The motivation repertoire of the pen works is made up of miniature trees placed in the vasols, symbolic ticking instruments, city paintings, plants placed on curved branches, and various motivations that remain under the slopes. It is quite destroyed, it is about to be destroyed. The property belongs to the legal personality of the village, the building was registered by the Council for the Protection of Cultural and Natural Assets of Izmir No. 1 on 23.08.1988 and Decision No. 463. Although it is unknown by who and when the mosque was made without a book, it can be said that it was made and made right to the end of the 19th century when it was assessed the characteristics of the mosque. In the article, the architectural characteristics of the structure and the paintings are detailed, the place and importance in the period are identified. The work that gives significant clues about the period, is quite destroyed and is about to be destroyed. The building must be properly repaid as soon as possible and transferred to future generations.
The inner Aegean region is an area where mosques with depictions can be seen frequently. Yeşilyurt (Holuz) village mosque in the Banaz district of Uşak province is an important village mosque because it has rubble stone masonry, a wooden roof covering where the lath-and-plaster (bağdadi) dome is used, a writing program, rich painting works (kalemişi), and the name of the master who completed the painting works. The motif repertoire of the painting works consists of miniature trees placed in vases, symbolic religious lodge (tekke) tools, urban depictions, floral decorations placed on curved branches and various motifs that are under the plaster. The structure, which is owned by the village legal entity, is registered with the decision of the Izmir Cultural and Natural Heritage Protection Board No.1 dated 1988 and numbered 463. Although it is not known by whom and when the mosque was built since it does not have an inscription, when its decoration characteristics are evaluated, it can be dated to the end of the 19th century. In the study, the architectural characteristics and painting work decorations of the building have been examined in detail, and its place and importance within its period have been determined. The work, which provides important clues about its period, is significantly ruined and about to collapse. It should be repaired as soon as possible following its original form and passed onto future generations.
Alan : Güzel Sanatlar; Mimarlık, Planlama ve Tasarım
Dergi Türü : Ulusal
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