Özet:

In the classical Ottoman and Arab literary products, the presence of poems that are painted in the traditional style, as well as works that are written out of the known patterns, is remarkable. Poetry that can be called the art of poetry with letters by highlighting visuality with the combination of letters or words in different forms is one of these examples. The fact that painting and sculpture were not welcomed by the Islamic religion, was a source of inspiration for the painting of the writing and the creation of various artworks. This characteristic of the Arab alphabet, which has different line varieties and the visuality is in the forefront, is reflected not only in writing, but also in different fields of art. In literary works sometimes the emphasis on their form is made rather than the letters expressed. In our classical literature, this kind of art products that look like a very concrete painting, formed by the art of the word that can be called the architecture of the word, bringing the writing into an aesthetic value, have quite interesting examples. In thousands of writing works in personal or general libraries and archives, these poems, which are the product of our classical literature, are waiting to be discovered. One of the characters with this kind of manzum works mentioned by names such as "visual poem", "somut poem", "desen poem", "figurative poem" is Siirtli Sheikh Suleyman Halidî (High). In our study we will first provide general information about visual poetry and its characteristics. After that, information about the life of this world that was born in the last periods of the Ottoman State and lived in the Republic period by carrying the traces of the two periods will be given on examples of visual poems in the subject related to the client, muvaşah/akrostiş and murabba/kare type.

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