Özet:

Abstract In this study, a thematological comparison is made between Knut Hamsun's (1859-1952) “Sult” (1890) and Franz Kafka's (1883-1924) “Der Hungerkünstler” (1922) and the film “The Hunger Games” (2012) directed by Gary Ross (1956-). In this study, which theoretically falls within the scope of comparatistics (comparative literary studies), two cult texts by two distinguished authors from Norwegian and Austrian literature and a famous feature film are analysed comparatively on the axis of a common theme. Knut Hamsun, the Nobel Prize-winning Norwegian writer Knut Hamsun gained worldwide fame with his novel, originally titled “Sult” in Norwegian and translated into Turkish as “Hunger”. The novel, which has autobiographical features, explores the inner world of the main character, who is a writer like Hamsun himself and suffers from both mental and spiritual starvation, while also addressing the changes in social-cultural values, perspectives and living conditions. In his narrative “The Hunger Artist” (“Der Hungerkünstler”), Franz Kafka tells the story of a man who becomes a professional hunger artist and makes a living by starving himself for a long time. In the film “The Hunger Games”, a young woman living in poverty and other lower-class people like her fight for life and death in a game played by the upper classes. The aim of the study is to compare the common theme we have identified in these two cult texts representing the epic genre written in two different European countries with the cinema film “The Hunger Games”, a different media (art) product that became famous in our country in a short time. In this way, the aim of the study is to reveal the similarities and/or differences in the theme of hunger in different arts/media of different times, different countries and different arts/media, and to reveal the basic phenomenon lying behind this, namely the criticism of the bourgeoisie capitalist order, the main common target where the arrows of criticism of the artists meet.

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