Özet:

In the classical poetry, Tasavvuf and its subtrains are one of the broadest sources that feed this literary tradition. From the beginning of the classical period and subsequent tasavvufi elements were processed in every form, type and phase of the poem/word, including the mesnevians. In the classical poem there is a general acceptance of the source of the word by moving from the tasavvufi infrastructure, regardless of the poet’s legal or religious nature. The discourse and nutrition of the word from a divine point has prepared the ground for the frequent interpretation of this characteristic in the poems. In this study, the classical literature has been attempted to identify that almost all the poets have been benefited of the tasavvufi infrastructure and that, because there is a common memory in the tradition, the same characteristics have been used. This situation, expressed by the characteristics such as "to give up the poem, to give up the word, to burn the divan", is also processed by the poets known by the mutasavvıf identity and who make the tasavvufi elements the main material of the poem along with the poets who have poems in the classical style and who do not use the tasavvuf joy as others. This partnership is one of the most important elements, in particular the source of poetry/word and the general perception of tasavuf in classical literature, again through word and/or poetry.

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