Özet:

Tradition is the social acceptance that a nation has formed in the framework of historical, inner and cultural accumulations, from the first moment of its appearance to the historical stage, based on symbols and practices. This is the way it surrounds the community and influences all the elements of the community. Social acceptance is determined as a result of the binding tradition. Tradition extends to the future through the transition from generation to generation, using today, the historical accumulation, and through the transition from generation to generation. That is why the translator of culture is tradition. Technical and technological developments, with time, influence the tradition. Tradition, needs and conditions of age change, transform and adapt to the current. The change occurs through the integration of the tradition with the new elements; the transformation and adaptation occurs through the inspiration of the elements belonging to the virtue in the form of new acceptance, application and the discovery of products. In addition to these processes, the tradition is re-invented to the age. "Invented tradition" or "invention of tradition", a new traditional commentary based on the context of the past and the place creates a completely new tradition. In this regard, the tradition invented plays an important role in the preservation and transfer of cultural elements to the future in the globalized world. Nasreddin Hoca is one of the most important creators of the Turkish culture with its prepared response, intelligence, attitude to the events and world view. From the past to the present, the jokes that are told around the name, while responding to the needs of the Turkish society of humor and fun, also carries the character of being a didactic narrative. That’s why the name “Nasreddin Hoca” has succeeded in finding its place in all the works of art by exceeding the jokes that live in collective memory. The Nasreddin Hoca type, which shows its success in tradition to live alone, has often been used in literary products such as theatre, cinema, story and novel, as well as in cartoon art, and has been subject to many cartoons. It has become an important type in cartoons with the help of the Mizahî direction and society enclosure. The transition to the modern world with the use of anacronic elements and transformations, the re-evaluation of the jokes with today's sense of humor, has "catched" a new tradition within the framework of Nasreddin Hoca. As a result of this invented tradition, new jokes occurred around the name of Hoca. For in the cartoons, every post, adding, transforming to the Nasreddin Hoca jokes creates a new, unprecedented jokes. In this study, the Nasreddin Hoca cartoons published in different humor magazines will be studied in the context of the invention of the tradition. It will be studied how the jokes attributed to Nasreddin Hoca were used, what anacronic and literary transformations were made, how the creation was re-realised by the jokes and how the fiction was disrupted to new forms. Based on the findings obtained, the qualities of the new tradition invented around Nasreddin Hoca will be discussed.

Anahtar Kelimeler: