Özet:

Mehdî-i Ehevân-i Sâlis (1928-1990) is a poet who has achieved success in both classical and Nîmâi poems. Sâlis, who met the poetry in the traditional literary distinctions of the Horasan region, was given the "Omîd" mahlas because it was seen as an hope for the revival of classical poetry in the first years of his poetry. The first poem in Ergenûn (1951) the poet, who was linked to the classical forms, in his subsequent poems gradually adopted the Shi'r-i Nov and accepted himself as one of the masters of the poem group that Nîmâ-i Yûşîç founded. In the poem book Zemistân (1956) Omîd, who gave the best examples of symbolism in modern Iranian poem, Âher-i Şâhnâme (1959) and Ez In Avesta (1965) in the poem books stood on topics such as the greatness of social change expectations, the disappointment of intellectuals and the desire for ancient Iranian civilization. In the following years, the poems of Mehdi Ehevân-i Sâlis, who had not been liked as before, with the last poem book Torâ Ey Kohen Bûm û Ber Dûst Dârem (1989) returned to the old style of poetry and once again mentioned his name. In the poems of Sâlis, the legal and political positions always find place, while his works are more valuable than giving political message. The fact that hope and disappointment are put together and one by another in their series, the ability of Sebk-i Horasânî to perfectly use the modern Persian with the language, and the skill of placing the elements of the Iranian legends in their poems, has made the poem of Mehdi-i Ehevân-i Sâlis diverse and unique.

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