Görüntüleme
76
İndirme
33
İçinde bulunduğu topluma eleştirel bir bakış açısından bakan, toplumun aksayan yönlerine dikkat çeken, karamsar, teknolojinin hayal edilemeyecek noktalara ulaştığı baskıcı bir toplum tasavvur eden distopik romanlar konu olarak geleceği ele alsa da şu andan kopmaz. Türk edebiyatında oldukça ender yazılan distopik romanlardan biri olan Kaan Arslanoğlu’nun Sessizlik Kuleleri 2084, George Orwell’in türün en iyi eserlerinden olan Bin Dokuz Yüz Seksen Dört romanında yüz yıl sonrasıyla ilgilenir. Orwell’in eserinde gördüğümüz bireyi yok eden baskıcı sistem 2084 yılında da oldukça açıktır. Teknolojinin gelişmesi dünyayı felaketten kurtarmış olsa da insanların farklılıklarını ve özelliklerini ellerinden almış, mekanik bir toplum oluşturmuştur. Yevgeni Zamyatin’in Biz adlı eseri ise dünya edebiyatının ilk distopik romanlarından biridir. 200-Yıl Savaş’ı sonrası hayatta kalmaya çalışan insanların oluşturduğu topluluk 2084’teki toplum ile bazı benzerlikler gösterir. Bu çalışmada alışılagelmiş toplum düzeni bir felaket sonucu ortadan kalktığında yeni sistemlerin Türk, Rus ve İngiliz romanlarında nasıl yansıtıldığı tartışılacaktır. Arslanoğlu ve Zamyatin’in romanlarının ortak noktası ise insanlığın neredeyse sonunu getiren küresel bir felakettir. Bir taraftan teknolojinin son nimetlerini kullanıp sıfırdan yeni bir dünya inşa edilen hayal gücü ve çeşitliliğin olmadığı 2084 dünyası, diğer taraftan kentlerin yaşanamaz bir hale geldiği, tek çarenin Yeşil Duvar inşa edilerek dış dünyadan izole edilmiş bireyler yerine sayılardan oluşmuş baskıcı bir toplum.
The distopic novels that look at the society in which they are from a critical point of view, draw attention to the disturbing aspects of the society, and draw a repressive society in which technology has reached unimaginable points, even if they are discussing the future as a subject, it does not disappear from the moment. Kaan Arslanoğlu's Silence Towers, one of the very rare dystopic novels in Turkish literature, is interested in a hundred years later in George Orwell's Thousand Nine Hundred Sixteen Four novels, one of the best works of the genre. The repressive system that destroys the individual we see in Orwell’s work is quite obvious in 2084. Although the development of technology has saved the world from a catastrophe, it has created a mechanical society that has taken away the differences and characteristics of people. Yevgeni Zamyatin’s work named Biz is one of the first dystopic novels of world literature. The community of people trying to survive after the 200-year war shows some similarities to the society in 2084. This study will discuss how the new systems were reflected in the Turkish, Russian and British novels when the usual social order disappears as a result of a catastrophe. The common point of the novels of Arslanoğlu and Zamyatin is a global catastrophe that brings the end of mankind. On the one hand, the 2084 world without imagination and diversity, using the latest benefits of technology and building a new world from scratch, on the other hand, the cities become unbearable, the only way to build the Green Wall is a repressive society made up of numbers instead of individuals isolated from the outside world.
Although dystopian novels, which approach to their societies from a critical perspective, attract attention to defects in them, and imagines authoritative regimes where technology is at an inconceivable point, are about the future in essence, they do not lose touch with the present. Kaan Arslanoğlu’s novel Sessizlik Kuleleri 2084, a rare dystopian example in Turkish literature, narrates a hundred years after George Orwell’s Nineteen Eighty-Four, the finest example of the category. The repressive regime destroying individuality in Orwell’s novel continues its existence in 2084 as well. Although the advancement of technology saves the world from destruction, it removes people’s differences and characteristics; at the end it forms a mechanical community. Yevgeny Zamyatin’s novel We is one of the first dystopian novels ever written in the world. The community of the people trying to survive after the Second Hundred Years’ War shares some similarities with the community in 2084. This study investigates how the new systems are reflected in Turkish, Russian, and English novels after the old ones are abolished because of a disaster. The common point of Arslanoğlu’s and Zamyatin’s novels is a global disaster bringing the world to an almost end. On the one hand, there is the world in 2084 which uses the latest technological developments and creates a brand-new society without imagination and diversity, on the other hand there is the repressive world building the Green Wall to isolate not the individuals but the numbers from the rest of the world as the other parts are uninhabitable.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
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