Citation Number
1
Views
162
Downloands
30
Korku duygusunu tetikleyen sanat ürünleri sanatın ilk örneklerinden itibaren pek çok sanatçı tarafından konu edilmiş, günümüze kadar izleyici ilgisinin artmasıyla sadece sinemada değil sanatın genelinde bir alt tür haline dönüşmüştür. Sinema türleri arasında da önemli bir yer tutan korku filmleri bütün dünyada hatırı sayılır miktarda izleyiciye sahiptir. Diğer sinema türlerinde olduğu gibi geniş kitlelere hitap etmese de sadık izleyici kitlesi ve genç nesil tarafından ilgi ile takip edilmektedir. Bu türün afişleri de kendine has üsluplar ve kodlarla üretilmektedir. Kültürel afiş kapsamına giren korku filmi afişleri genel grafik tasarım kurallarına uymakla birlikte, türün konusunun genel atmosferini yansıtacak göndermeleri de içinde barındırır. İlk dönem Türk korku film afişlerinde genel olarak illüstratif yaklaşımlar söz konusuyken ilerleyen dönemlerde fotografik anlatım daha çok kullanılır olmuştur. Fotografik anlatımlarda genel olarak oyuncuların yer aldığı simetri algısı yüksek, kompozisyonlara yer verilmiş, tipografi koyu zemin üzerinde beyaz ya da kırmızı uygulanarak vurgu yakalanmıştır. Alper Mestçi’nin yönetmenliğini üstlendiği Siccin serisi Türk korku sineması için önemli eserlerdendir. Konu aldığı Türk kültürüne ait cin, büyü gibi kavramlar sayesinde kendine özgü bir üslubu ile önemli bir yer tutmaktadır. Bu serinin film afişleri renk, kompozisyon, tipografi ve görsel kullanımı açısından incelenmiştir.
The art products that trigger the feeling of fear have been discussed by many artists from the early examples of art, and so far, with the increased interest of the audience, it has become a subtype not only in the cinema, but throughout the art. The horror films, which hold an important place among the genre of cinema, have a huge number of viewers around the world. Although it doesn’t address large audiences as in other films, it’s followed with interest by the loyal audience and the young generation. This type of poster is also produced with its own patterns and codes. The horror film posters that fall within the cultural poster range, while complying with the general graphic design rules, also contain messages that will reflect the general atmosphere of the subject of the genre. The first period of Turkish horror film posters were generally illustrative approaches, while in advanced periods photographic narrative was more used. In photographic stories, the symmetry perception of the players is generally high, the compositions are placed, the typography is emphasized by applying white or red on the dark ground. The Siccin series, which was directed by Alper Mestçi, is one of the important works for the Turkish horror cinema. The gins of the Turkish culture, which he has the subject, holds an important place thanks to concepts such as magic with its own unique style. The film posters of this series are studied in terms of color, composition, typography and visual use.
The art products that triggered a sense of fear have been the subject of many artists since the first examples of art, and with the increasing interest of the audience up to the present day, it has become a sub-genre not only in cinema but also in the whole art. Horror films, which have an important place among the cinema types, have a considerable amount of viewers all over the world. Although it does not appeal to a wide audience as in other cinema genres, it is followed by a loyal audience and interest by the younger generation. The posters of this genre are produced with unique styles and codes. The horror film posters that considered within the scope of the cultural posters, follow the general graphic design rules, but also contain references reflecting the general atmosphere of the subject of the genre. While the first period Turkish horror movie posters generally have illustrative approaches, photographic narration has been used more in the following periods, it is observed to be very high. In the photographic narratives, the compositions with high symmetry perception are generally used. Emphasis is captured in typography by applying white or red accent on dark ground. The Siccin series, directed by Alper Mestçi, are important works for Turkish horror cinema. With the usage of concepts such as genie and magic, which have important place in Turkish culture, the series creates a unique perspective. The film posters of this series were examined in terms of color, composition, typography and visual use.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
Article Detail 
Citation Owners
Similar Articles
Download PDF
Journal Information
Listen Paper
Print This Page
Share
Mendeley
