Citation Number
5
Views
20
Downloands
5
Klâsik Türk edebiyatının en büyük başvuru alanlarından biri olan harfler şekil özellikleriyle ve simgesel değerleriyle şairlerin dikkatini çekmiştir. Harfler, tasavvufî ve edebî geleneğimizde başta "Hurûfîlik"ve "Ebced Hesabı" olmak üzere gizli anlatım, sembol, muvaşşah, istihrâc ve harf oyunları gibi edebî hünerlerde kullanılmıştır. Türk edebiyatındaki muvaşşah örnekleri mısra başındaki harflerle düzenlendiği gibi, mısradaki kelime gruplarından da oluşturulmuştur. Klâsik Türk edebiyatı şairleri, muvaşşah hüneri yoluyla unvan, duâ ifadesi hatta bazen bir mısra veya beyit meydana getirdiği gibi bu hüneri tarih düşürmede de kullanmıştır. Bu çalışmada, öncelikle çalışılan muvaşşah örneğinin yazarının hayatına kısaca değinilmiştir. Kayıtlarda yazarına dair bilgi bulunmayan metnin yazarının, Farsça gazelin mahlas beytinden yola çıkarak Nesîmî’ye ait olduğu tahmin edilmektedir. Daha sonra muvaşşahın tanımı yapılmış ve muvaşşah hakkında genel bilgi verilmiştir. Çalışmada bilinen örnekler
The letters, which are one of the greatest applications of classical Turkish literature, have attracted the attention of poets with their shaped characteristics and symbolic values. In our literary tradition, the letters have been used in literary hunners such as secret narratives, symbols, conversations, recreations and literary games, including "Hurufîlik" and "Ebced Account". Examples of muvaşah in Turkish literature, as organized by letters in the head of Egypt, are also formed from word groups in Egypt. Classical Turkish literature poets have also used the title, prayer expression, or even sometimes a myrra or beeth, through the muvaşah hüneri, in the history of this hüneri. In this study, a brief reference was given to the writer's life of the first example of the conversion. It is estimated that the author of the text, which has no information about his author in the records, belongs to Nesîmî, leaving the Persian gazelin from the mahlas beyt. It was then defined and given general information about the agreement. Examples known in the study
The letters which are one of the largest references of the classical Turkish Literature, have drew the attention of the poets with their pattern properties and symbolic values. The letters were used mainly in our sufic and literary tradition such as Hurufilik” and “Ebced Calculation” as well as in the literary abilities such as secret narration, symbol, muvaşşah, istihrac and letter games. The samples of muvaşşah in the Turkish literature are organized with the letters at the beginning of the verse as well as created from the groups of words within the verse. The poets of classical Turkish literature, have composed titles, prayer expressions and sometimes even verses or strophes by means of art of muvaşşah and they employed this skill to reduce de dates. In this study, the life of the writers of the muvaşşah example studied was shortly described. It is assumed that the writer of the text, about whom there is no recorded information, is Nesimi; by looking at the pseudonym strophe of
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
Article Detail 
Citation Owners
Similar Articles
Download PDF
Journal Information
Listen Paper
Print This Page
Share
Mendeley
