Özet:

While the manipulated societies of the modern age follow the age as if everything was right; the individual who communicates with the real artwork will be in an effort to find the highest pleasure he is looking for by nature. The human mind is trying to make the universe that he lives with the mind he has. This understanding will bring him to the objective knowledge, allowing him to enjoy life. Adorno expresses the power that art possesses from being unrepresented, represented. It also declares that this thought is the one that allows the individual to liberate by the art path depending on the aesthetics. These views are high-level pleasant supports provided by the artwork. In the work he brings to the scene, the audience’s gathering in the shared part is that the subjects have the same aesthetic likeness and aesthetic consciousness. In other words, the fact that a work is an artwork, the aesthetic pleasure and pleasure to be taken from that work will be to the point where the individual’s sensitivity and intellectual knowledge extend. In this research, in connection with intellectual hedonism in the context of the artwork, the artist, the art consumer, has the intellectual pleasure gained based on the aesthetic consciousness and intellectual knowledge. As a result, the artist's connection with the work he exists with love and the reflection from there to the outside is a mirror to the spectator, the desire to witness the miracles presented to man. The work of art is to enable humanity to explore, by spreading to the widespread spaces where the human mind, in front of the power it hides in itself, can extend its spaces of existence, and possibly in its own essence.

Anahtar Kelimeler: